<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4412302037481707224</id><updated>2012-02-16T09:45:52.999Z</updated><category term='Docentes'/><category term='Coimbra'/><category term='vereadora da Cultura'/><category term='Corpus Christi'/><category term='Corpo de Deus'/><category term='Agenda'/><category term='São Jorge'/><title type='text'>História da Arte - FLUC</title><subtitle type='html'>História da Arte da Fluc- Alunos de História da Arte da Universidade de Coimbra</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default?start-index=101&amp;max-results=100'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>286</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4038292175151398839</id><published>2012-02-10T14:11:00.001Z</published><updated>2012-02-10T14:12:25.508Z</updated><title type='text'>Conferência - "Diversidade de oficinas e opções iconográficas na escultura tumular do século XIV: a Sé de Lisboa."</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;b&gt;(Quarta-feira, 7 de Março de 2012)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Doutora Carla Varela Fernandes&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-Ym2w-COogGU/TzUlgjMOMQI/AAAAAAAABCk/dgNJvvX8GMM/s1600/carla-varela-web.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 283px; height: 400px;" src="http://4.bp.blogspot.com/-Ym2w-COogGU/TzUlgjMOMQI/AAAAAAAABCk/dgNJvvX8GMM/s400/carla-varela-web.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5707509343894515970" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4038292175151398839?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4038292175151398839/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4038292175151398839&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4038292175151398839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4038292175151398839'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2012/02/conferencia-diversidade-de-oficinas-e.html' title='Conferência - &quot;Diversidade de oficinas e opções iconográficas na escultura tumular do século XIV: a Sé de Lisboa.&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Ym2w-COogGU/TzUlgjMOMQI/AAAAAAAABCk/dgNJvvX8GMM/s72-c/carla-varela-web.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5674635569886577496</id><published>2012-02-10T14:04:00.004Z</published><updated>2012-02-10T14:10:56.048Z</updated><title type='text'>Conferência - "Primitivos portugueses: dos mitos visuais do passado às exposições e descobertas recentes."</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;b&gt;(Quarta-feira, 29 de Fevereiro de 2012)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Doutor José Alberto Seabra Carvalho&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-Af18Ayq4KkM/TzUky9joA5I/AAAAAAAABCY/9c2RtGaPFuc/s1600/Seabra-de-Carvalho.web.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 282px; height: 400px;" src="http://3.bp.blogspot.com/-Af18Ayq4KkM/TzUky9joA5I/AAAAAAAABCY/9c2RtGaPFuc/s400/Seabra-de-Carvalho.web.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5707508560698016658" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5674635569886577496?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5674635569886577496/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5674635569886577496&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5674635569886577496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5674635569886577496'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2012/02/conferencia-primitivos-portugueses-dos.html' title='Conferência - &quot;Primitivos portugueses: dos mitos visuais do passado às exposições e descobertas recentes.&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Af18Ayq4KkM/TzUky9joA5I/AAAAAAAABCY/9c2RtGaPFuc/s72-c/Seabra-de-Carvalho.web.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8043429295315090901</id><published>2012-01-07T15:21:00.003Z</published><updated>2012-01-07T15:28:35.842Z</updated><title type='text'>Informação sobre a exposição My Choice e iniciativas associadas.</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span&gt;Em Destaque, &lt;b&gt;"A Escolha nas Escolhas”: a 2ª Sessão das Tertúlias&lt;/b&gt;  realiza-se na próxima &lt;b&gt;4º feira , pelas 18.00h&lt;/b&gt; na Casa das Caldeiras. &lt;b&gt;Participam&lt;/b&gt;  o Dr. Delfim Sardo, a Prof. Doutora Ana Paula Arnaut, o Prof. Doutor José Bernardes e o Dr. José Valente. A sessão será moderada pelo Prof. Doutor José Maçãs de Carvalho.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;img src="http://www.britishcouncil.org/pt/pt-330-madame-yevonde-machine-worker-in-summer-1937.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;PAULA REGO - MY CHOICE &lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Obras selecionadas na Coleção British Council&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Escolhi apenas aquilo de que gostei. Não escolhi imagens por causa do nome do artista ou por serem consideradas historicamente relevantes. Muitas vezes, não sabia quem as tinha feito. Algumas delas, já as vira antes, mas outras não. Adorei essa liberdade de gostar do que via.&lt;br /&gt;Paula Rego&lt;br /&gt;&lt;br /&gt;My Choice:&lt;br /&gt;Obras Selecionadas por Paula Rego na coleção British Council&lt;br /&gt;Casa das Caldeiras&lt;br /&gt;Coimbra&lt;br /&gt;20 novembro 2011 - 19 fevereiro 2012&lt;br /&gt;&lt;br /&gt;Localização:&lt;br /&gt;Casa das Caldeiras&lt;br /&gt;R. Padre António Vieira&lt;br /&gt;(junto à Associação Académica)&lt;br /&gt;Coimbra&lt;br /&gt;&lt;br /&gt;Horário:&lt;br /&gt;Segunda a Sexta: 10:00 - 13:00; 14:00 - 18:00&lt;br /&gt;Fim de semana - 14:00 - 18:00&lt;br /&gt;&lt;br /&gt;Entrada Gratuita&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8043429295315090901?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8043429295315090901/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8043429295315090901&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8043429295315090901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8043429295315090901'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2012/01/informacao-sobre-exposicao-my-choice-e.html' title='Informação sobre a exposição My Choice e iniciativas associadas.'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5456094504699378058</id><published>2011-11-09T15:42:00.004Z</published><updated>2011-11-09T15:49:59.919Z</updated><title type='text'>VI Encontro com Artistas Contemporâneos</title><content type='html'>&lt;div style="text-align: justify;"&gt;Tenho o gosto de convidar V. Ex.ª a estar presente no 6.º Encontro com artistas contemporâneos, nesta edição com a presença de Fernanda Fragateiro, que decorrerá no próximo dia 17 de Novembro, na Casa da Escrita, pelas 18 horas.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;O evento, cujo cartaz informativo se envia em anexo, é promovido pela Secção de Artes (Instituto de História da Arte) do Departamento de História, Arqueologia e Artes da  Faculdade de Letras da Universidade de Coimbra.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Antecipadamente grata pela atenção, envio os melhores cumprimentos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Maria de Lurdes Craveiro&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Secção de Artes do Departamento de História, Arqueologia e Artes da FLUC&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Casa da Escrita, Rua Dr. João Jacinto nº 8, Sé Nova, 3000 – 225 Coimbra&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-kH62oNNDFsU/Trqg2rNW9kI/AAAAAAAABCA/Vqo0vQdidU4/s1600/Fragateiro.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 420px; height: 591px;" src="http://1.bp.blogspot.com/-kH62oNNDFsU/Trqg2rNW9kI/AAAAAAAABCA/Vqo0vQdidU4/s400/Fragateiro.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5673023541798696514" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5456094504699378058?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5456094504699378058/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5456094504699378058&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5456094504699378058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5456094504699378058'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/11/vi-encontro-com-artistas-contemporaneos.html' title='VI Encontro com Artistas Contemporâneos'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-kH62oNNDFsU/Trqg2rNW9kI/AAAAAAAABCA/Vqo0vQdidU4/s72-c/Fragateiro.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6224852524027351329</id><published>2011-10-20T09:54:00.002+01:00</published><updated>2011-10-20T10:00:08.303+01:00</updated><title type='text'>Apresentação da Agenda de Eventos para 2011/2012</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 51, 51); font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px; background-color: rgb(237, 239, 244); "&gt;&lt;i&gt;&lt;span class="Apple-style-span"&gt;‎"Para além do testemunho de Joana Antunes e José Marques, alunos do IHA que acabaram este mesmo ano os respectivos mestrados, na UC ou em Universidades estrangeiras, será lançada a agenda de eventos extra curriculares para o ano de 2011-2012."&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://www.ihauc.com/images/stories/web1.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6224852524027351329?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6224852524027351329/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6224852524027351329&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6224852524027351329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6224852524027351329'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/10/apresentacao-da-agenda-de-eventos-para.html' title='Apresentação da Agenda de Eventos para 2011/2012'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-7572668848122010719</id><published>2011-07-01T17:28:00.001+01:00</published><updated>2011-07-01T23:04:57.784+01:00</updated><title type='text'>Pedro Dias é o novo director da Biblioteca Nacional</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 220px; height: 300px;" src="http://teresatorga.no.sapo.pt/Pedro%20Dias.jpg" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(77, 77, 77); font-family: 'Trebuchet MS'; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;span class="Apple-style-span"&gt;&lt;p style="margin-top: 3px; margin-right: 0px; margin-bottom: 3px; margin-left: 0px; padding-top: 5px; padding-right: 0px; padding-bottom: 5px; padding-left: 0px; "&gt;O professor catedrático de Coimbra António Pedro Dias vai ser o novo director da Biblioteca Nacional (BNP)&lt;/p&gt;&lt;div align="justify"&gt;O professor catedrático de Coimbra António Pedro Dias vai ser o novo director da Biblioteca Nacional (BNP), substituindo no cargo Jorge Couto, anunciou ontem a Secretaria de Estado da Cultura. António Pedro Machado Gonçalves Dias, 60 anos, foi o director-geral do Instituto dos Arquivos Nacionais/Torre do Tombo entre 2004 e 2005. É professor catedrático da Faculdade de Letras da Universidade de Coimbra, integrado no Instituto de História da Arte.&lt;br /&gt;Sobre a escolha de António Pedro Dias para o cargo, o secretário de Estado da Cultura, Francisco José Viegas, justificou, numa nota enviada à agência Lusa, «a confiança na vasta experiência curricular e na grande capacidade de trabalho».&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-7572668848122010719?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/7572668848122010719/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=7572668848122010719&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7572668848122010719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7572668848122010719'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/07/pedro-dias-e-o-novo-director-da.html' title='Pedro Dias é o novo director da Biblioteca Nacional'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4660497677343909419</id><published>2011-06-26T23:22:00.000+01:00</published><updated>2011-06-28T23:23:38.487+01:00</updated><title type='text'>Lançamento do Livro</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img src="http://ihauc.com/images/stories/convitefinal.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4660497677343909419?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4660497677343909419/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4660497677343909419&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4660497677343909419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4660497677343909419'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/06/lancamento-do-livro.html' title='Lançamento do Livro'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-9187561441249499461</id><published>2011-06-15T19:05:00.001+01:00</published><updated>2011-06-15T19:08:59.092+01:00</updated><title type='text'>Encontros de Cultura e Património - dias 7 e 8 de Julho de 2011</title><content type='html'>&lt;div style="text-align: justify;"&gt;Exmº(ª) Sr(ª),&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Nos próximos dias 7 e 8 de Julho, o Município da Figueira da Foz vai organizar os Encontros de Cultura e Património, numa primeira edição subordinada ao tema Mosteiro de Santa Maria de Seiça: Abordagens e Perspectivas.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;O Mosteiro de Seiça, situado no concelho de Figueira da Foz, e cujas referências remontam ao séc. XII, encontra-se num estado de progressiva ruína, fruto do abandono a que foi votado no séc. XIX, após a extinção das Ordens Religiosas. A sua reabilitação, mais que prioritária, poderá contribuir para o desenvolvimento turístico e económico da região. &lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A presente edição dos Encontros de Cultura e Património irá decorrer por dois dias, contando com a presença de especialistas nas áreas de história da arte, arquitectura, reabilitação urbana, gestão e salvaguarda de património edificado, culminando com uma visita ao Mosteiro.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A inscrição é gratuita, mas obrigatória, podendo ser efectuada até ao dia 30 de Junho, de acordo com o programa e a ficha de inscrição em anexo, disponíveis em http://www.figueiradigital.com/?mid=3&amp;amp;agenda=1018.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Agradecemos a sua colaboração no sentido de ajudar a divulgar este evento, esperando contar com a vossa presença.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Inês Pinto&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Assistente Técnica&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Município da Figueira da Foz&lt;/div&gt;&lt;div style="text-align: justify;"&gt;ines.pinto@cm-figfoz.pt&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Tel. 233401860 Ext. 314&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Fax 233401869&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://teresatorga.no.sapo.pt/Untitled-3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-9187561441249499461?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/9187561441249499461/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=9187561441249499461&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9187561441249499461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9187561441249499461'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/06/encontros-de-cultura-e-patrimonio-dias.html' title='Encontros de Cultura e Património - dias 7 e 8 de Julho de 2011'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2954717370195114607</id><published>2011-06-03T19:48:00.003+01:00</published><updated>2011-06-08T17:48:28.201+01:00</updated><title type='text'>Segunda-feira dia 13 de Junho de 2011</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://ihauc.com/images/stories/cartaz-13-junhoweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2954717370195114607?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2954717370195114607/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2954717370195114607&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2954717370195114607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2954717370195114607'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/06/segunda-feira-dia-13-de-junho-de-2011.html' title='Segunda-feira dia 13 de Junho de 2011'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3960406687046872286</id><published>2011-04-29T22:16:00.000+01:00</published><updated>2011-04-29T22:18:32.629+01:00</updated><title type='text'>Quarta-feira, 04 De Maio De 2011 Às 18:00 - Arquitecta Ana Tostões, "Modernidade transcontinental"</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://www.ihauc.com/images/stories/anatostoesweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3960406687046872286?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3960406687046872286/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3960406687046872286&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3960406687046872286'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3960406687046872286'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/04/quarta-feira-04-de-maio-de-2011-as-1800.html' title='Quarta-feira, 04 De Maio De 2011 Às 18:00 - Arquitecta Ana Tostões, &quot;Modernidade transcontinental&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3745827921798677440</id><published>2011-04-12T10:39:00.003+01:00</published><updated>2011-04-12T10:45:16.553+01:00</updated><title type='text'>Conferência</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-Sa8k1h1wB1w/TaQercB5aQI/AAAAAAAABAs/C0WzjUEyBKg/s1600/206507_203153343050398_196522457046820_606229_4193267_n.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 420px; height: 591px;" src="http://1.bp.blogspot.com/-Sa8k1h1wB1w/TaQercB5aQI/AAAAAAAABAs/C0WzjUEyBKg/s400/206507_203153343050398_196522457046820_606229_4193267_n.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5594630368708356354" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3745827921798677440?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3745827921798677440/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3745827921798677440&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3745827921798677440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3745827921798677440'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/04/conferencia.html' title='Conferência'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Sa8k1h1wB1w/TaQercB5aQI/AAAAAAAABAs/C0WzjUEyBKg/s72-c/206507_203153343050398_196522457046820_606229_4193267_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1634698627413130603</id><published>2011-04-07T21:38:00.002+01:00</published><updated>2011-04-07T21:43:14.361+01:00</updated><title type='text'>Lançamento Cadernos de Conservação 8 - O Tríptico de Santa Clara do Museu Nacional de Machado de Castro, Coimbra</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Tenho o gosto de reenviar o convite para o lançamento da revista CADERNOS 8, relativa ao estudo e intervenção de conservação e restauro do Tríptico de Santa Clara, de Coimbra, pintura do século XV, do Museu Nacional de Machado de Castro (MNMC).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Os trabalhos agora apresentados foram da responsabilidade da secção de Pintura, do Laboratório e da Secção de Escultura (emolduramentos) e Biblioteca do Departamento de Conservação e Restauro do Instituto dos Museus e da Conservação (DCR/IMC) sob investigação da Conservadora da colecção de Pintura do MNMC, com inúmeras colaborações de investigadores, colegas de ofício, amigos e críticos (na verdadeira acepção da palavra!).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Este número, dedicado somente a um conjunto retabular (à semelhança dos CADERNOS 6/7, de 2009, sobre o retábulo-mor da Sé de Évora), tem 94 páginas e está dividido em 6 artigos, dos quais se destacam o estudo do desenho subjacente e o dos emolduramentos. Além dos outros quatro...&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A apresentação, a cargo do Dr. José Luís Porfírio, crítico de arte e ex-director de museu, decorrerá no Museu Nacional de Arte Antiga, na exposição dos Primitivos Portugueses, mais exactamente na sala onde se encontra exposto o Tríptico de Santa Clara, junto aos Painéis de S. Vicente, de Nuno Gonçalves.&lt;/div&gt;&lt;br /&gt;Saudações cordiais,&lt;br /&gt;&lt;br /&gt;Virgínia Gomes&lt;br /&gt;Museu Nacional de Machado de Castro&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 460px; height: 420px;" src="http://a7.sphotos.ak.fbcdn.net/hphotos-ak-snc6/207457_1799788632169_1163395959_31750680_1327677_n.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1634698627413130603?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1634698627413130603/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1634698627413130603&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1634698627413130603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1634698627413130603'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/04/lancamento-cadernos-de-conservacao-8-o.html' title='Lançamento Cadernos de Conservação 8 - O Tríptico de Santa Clara do Museu Nacional de Machado de Castro, Coimbra'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8667844525943471652</id><published>2011-03-15T00:29:00.002Z</published><updated>2011-03-17T00:37:12.521Z</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://www.ihauc.com/images/stories/luis-afonsoweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8667844525943471652?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8667844525943471652/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8667844525943471652&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8667844525943471652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8667844525943471652'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/03/blog-post.html' title=''/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5640434244990598019</id><published>2011-03-01T01:05:00.000Z</published><updated>2011-03-01T01:19:10.128Z</updated><title type='text'>Colóquio “As Artes na Reinvenção da cidade” (4 de Março de 2011)</title><content type='html'>&lt;p class="MsoNormal" align="center" style="text-align:center;line-height:150%"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:18.0pt;mso-bidi-font-size: 14.0pt;line-height:150%;font-variant:small-caps"&gt;Nota de Imprensa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center;line-height:150%"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:14.0pt;line-height: 150%;font-variant:small-caps"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center;line-height:150%"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:16.0pt;mso-bidi-font-size: 14.0pt;line-height:150%;font-variant:small-caps"&gt;“As Artes na Reinvenção da cidade”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center;line-height:150%"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-size:16.0pt;mso-bidi-font-size: 14.0pt;line-height:150%;font-variant:small-caps"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;line-height:150%"&gt;O Colóquio “As Artes na reinvenção da Cidade”, integrado na XIII Semana Cultural da Universidade de Coimbra, é uma iniciativa conjunta do Instituto de História da Arte da Secção de Artes do Departamento de História, Arqueologia e Artes da Faculdade de Letras da Universidade de Coimbra (FLUC) e do Centro de Estudos Arqueológicos das Universidades de Coimbra e Porto (CEAUCP) e realizar-se-á no dia 4 de Março de 2011, com entrada livre, na Casa das Caldeiras.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;line-height:150%"&gt;Partindo de situações concretas, o debate centrar-se-á sobre o papel assumido pela Universidade no capítulo da renovação urbana e da capitalização patrimonial gerada no seio da UC. Considerando também as experiências no âmbito da contemporaneidade, reflectem-se os mecanismos de interacção entre a Universidade e a cidade, perspectivando a capacidade de implementação de estratégias culturais extensivas à cidade e a consequente mobilização da sociedade civil. A identidade do Colóquio passará, em cada um dos “temas”, pela constituição de um painel de debate forte a partir das exposições críticas sobre as intervenções universitárias no passado e presente e procurando modelos de intervenção futura.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;line-height:150%"&gt;Os grandes objectivos desta iniciativa passam pela implementação de um circuito reflexivo em torno das reais potencialidades das Artes, na sua dimensão plural, sobre a dinamização cultural no âmbito de uma Universidade interactiva e atenta à natureza específica da cidade. Fomentando uma discussão alargada sobre matéria tão sensível à Universidade como à cidade em geral, a Universidade (e este Colóquio) promove e contempla os seus objectivos mais caros: a divulgação de conhecimento actualizado e crítico e a participação de uma comunidade preocupada com os níveis qualitativos de que usufrui. &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5640434244990598019?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5640434244990598019/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5640434244990598019&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5640434244990598019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5640434244990598019'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/03/coloquio-as-artes-na-reinvencao-da.html' title='Colóquio “As Artes na Reinvenção da cidade” (4 de Março de 2011)'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4779320262187968104</id><published>2011-03-01T01:04:00.002Z</published><updated>2011-03-01T01:43:39.003Z</updated><title type='text'>Programa</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://teresatorga.no.sapo.pt/flyer.JPG" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4779320262187968104?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4779320262187968104/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4779320262187968104&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4779320262187968104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4779320262187968104'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/03/programa.html' title='Programa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1290158961879455467</id><published>2011-02-12T13:08:00.002Z</published><updated>2011-02-12T13:13:43.060Z</updated><title type='text'>FEVEREIRO: Comunicação |  Aula Aberta</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://ihauc.com/images/stories/carapinha-web.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 420px; height: 591px;" src="http://ihauc.com/images/stories/torre-da-ucweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1290158961879455467?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1290158961879455467/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1290158961879455467&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1290158961879455467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1290158961879455467'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/02/fevereiro-comunicacao-aula-aberta.html' title='FEVEREIRO: Comunicação |  Aula Aberta'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8015649214064650453</id><published>2011-02-12T00:05:00.003Z</published><updated>2011-02-12T13:19:44.949Z</updated><title type='text'>Colóquio “As Artes na reinvenção da cidade”</title><content type='html'>&lt;div style="text-align: justify;"&gt;Exmo(a) Senhor(a),&lt;br /&gt;&lt;br /&gt;Tenho o gosto de convidar V. Ex.ª a estar presente no Colóquio “As Artes na reinvenção da cidade”, iniciativa integrada na XIII Semana Cultural da Universidade de Coimbra e promovida pelo Instituto de História da Arte da Secção de Artes do Departamento de História, Arqueologia e Artes da Faculdade de Letras da Universidade de Coimbra (FLUC), em parceria com o Centro de Estudos Arqueológicos das Universidades de Coimbra e Porto (CEAUCP).&lt;br /&gt;&lt;br /&gt;O Colóquio, cuja documentação (cartaz) envio em anexo, realizar-se-á no dia 4 de Março de 2011 na Casa das Caldeiras. A iniciativa pretende explorar os potenciais artísticos em torno da Universidade com projecção articulada à cidade de Coimbra. Partindo de situações concretas, como a Rua da Sofia, as intervenções Pombalinas e do Estado Novo, num primeiro momento o debate centrar-se-á sobre o papel assumido pela Universidade no capítulo da renovação urbana e da capitalização patrimonial gerada no seio da UC. Um segundo momento, também a partir de experiências precisas no âmbito da contemporaneidade, é reservado à análise e reflexão sobre os mecanismos de interacção entre a Universidade e a cidade, perspectivando a capacidade de implementação de estratégias culturais extensivas à cidade e a consequente mobilização da sociedade civil. Visa-se, assim, fomentar uma discussão alargada sobre matéria tão sensível à Universidade como à cidade em geral.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Antecipadamente grata pela atenção, envio os melhores cumprimentos.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pela Comissão Organizadora,&lt;br /&gt;&lt;br /&gt;Maria de Lurdes Craveiro&lt;br /&gt;Secção de Artes do Departamento de História, Arqueologia e Artes da FLUC&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;Horário&lt;/span&gt;&lt;/span&gt;: &lt;b&gt;4 de MARÇO 9.30-18h&lt;/b&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Cartaz*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://teresatorga.no.sapo.pt/cartazc.pdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8015649214064650453?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8015649214064650453/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8015649214064650453&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8015649214064650453'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8015649214064650453'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/02/coloquio-as-artes-na-reinvencao-da.html' title='Colóquio “As Artes na reinvenção da cidade”'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4776190503835615653</id><published>2011-01-23T01:53:00.006Z</published><updated>2011-01-23T02:02:08.117Z</updated><title type='text'>Conferência</title><content type='html'>&lt;span style="font-size:130%;"&gt;Caros amigos,&lt;br /&gt;&lt;br /&gt;Recebi um email da professora Maria de Lurdes Craveiro, que aqui reproduzo:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;h6 style="text-align: justify; font-weight: normal;" class="uiStreamMessage" ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}"&gt;&lt;span style="font-size:180%;"&gt;&lt;span class="messageBody"&gt;"Na  próxima segunda-feira, dia 24, o Prof. Thomas DaCosta Kaufmann,  referência maior na História da Arte mundial, estará a fazer uma  conferência no Museu da Ciência, às 16 horas, que não devem, de forma  alguma, perder.&lt;br /&gt;Será ele, ao que se espera, o titular de uma cátedra UNESCO onde terão cabimento os alunos do 3º Ciclo em História da A&lt;span class="text_exposed_show"&gt;rte, para além de outros."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4776190503835615653?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4776190503835615653/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4776190503835615653&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4776190503835615653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4776190503835615653'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2011/01/conferencia.html' title='Conferência'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2070082047061798279</id><published>2010-11-24T18:34:00.004Z</published><updated>2010-11-24T18:44:05.259Z</updated><title type='text'>Para visualizar em Alta Definição, clicar na hiperligação - Galeria Halta Definizione - na barra da direita, secção "Páginas de Interesse"</title><content type='html'>&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/15/img/scrovegni.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Cappella Scrovegni (1303-1305), Padova - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Cappella Scrovegni (1303-1305), Padova - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Giotto di Bondone&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Cappella Scrovegni (1303-1305),                     Padova&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;                                      &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/1/img/leonardo_da_vinci.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Leonardo da Vinci, Ultima Cena, Milano, Santa Maria delle Grazie, 1494 - 1498 - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Leonardo da Vinci, Ultima Cena, Milano, Santa Maria delle Grazie, 1494 - 1498 - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                                                 &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;Leonardo da Vinci&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Ultima Cena,                     Milano, Santa Maria delle Grazie, 1494 - 1498&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;               &lt;/div&gt;             &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/10/img/venere.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Sandro Botticelli, Nascita di Venere (1482-1485), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Sandro Botticelli, Nascita di Venere (1482-1485), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Sandro Botticelli&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Nascita di Venere (1482-1485),                     Firenze, Galleria degli Uffizi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/14/img/bacco.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Caravaggio, Bacco (1597), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Caravaggio, Bacco (1597), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                                                 &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;Caravaggio&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Bacco (1597),                     Firenze, Galleria degli Uffizi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;               &lt;/div&gt;             &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/13/img/eleonora.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Agnolo Bronzino, Ritratto di Eleonora di Toledo (1545), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Agnolo Bronzino, Ritratto di Eleonora di Toledo (1545), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Agnolo Bronzino&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Ritratto di Eleonora di Toledo (1545),                     Firenze, Galleria degli Uffizi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/9/img/primavera.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Sandro Botticelli, Primavera (1482-1485), Firenze (Galleria degli Uffizi) - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Sandro Botticelli, Primavera (1482-1485), Firenze (Galleria degli Uffizi) - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                       &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;&lt;/span&gt;&lt;span class="bold_txt"&gt;Sandro Botticelli&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Primavera (1482-1485),                     Firenze (Galleria degli Uffizi)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;                 &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                              &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/12/img/annunciazione.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Leonardo da Vinci, Annunciazione (1472-1475), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Leonardo da Vinci, Annunciazione (1472-1475), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Leonardo da Vinci&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Annunciazione (1472-1475),                     Firenze, Galleria degli Uffizi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/11/img/battesimo.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Verrocchio, Leonardo da Vinci, Battesimo di Cristo (1475), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Verrocchio, Leonardo da Vinci, Battesimo di Cristo (1475), Firenze, Galleria degli Uffizi - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                                                 &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;Verrocchio, Leonardo da Vinci&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Battesimo di Cristo (1475),                     Firenze, Galleria degli Uffizi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;               &lt;/div&gt;             &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/7/img/Pontormo.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Pontormo, Deposizione, Chiesa di Santa Felicita, Firenze, 1525-1527 - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Pontormo, Deposizione, Chiesa di Santa Felicita, Firenze, 1525-1527 - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Pontormo&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Deposizione,                     Chiesa di Santa Felicita, Firenze, 1525-1527&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/16/img/tavola.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Dio Padre (1303-1305), Musei Civici agli Eremitani, Padova - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Dio Padre (1303-1305), Musei Civici agli Eremitani, Padova - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                                                 &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;Giotto di Bondone&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Dio Padre (1303-1305),                     Musei Civici agli Eremitani, Padova&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;               &lt;/div&gt;             &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/17/img/crocifisso.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Cristo crocifisso (1303-1305), Musei Civico agli Eremitani, Padova - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Giotto di Bondone, Cristo crocifisso (1303-1305), Musei Civico agli Eremitani, Padova - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Giotto di Bondone&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Cristo crocifisso (1303-1305),                     Musei Civico agli Eremitani, Padova&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/2/img/gaudenzio_ferrari.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Gaudenzio Ferrari, Storie della vita di Cristo, Varallo Sesia (Vercelli), Santa Maria delle Grazie, 1513 - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Gaudenzio Ferrari, Storie della vita di Cristo, Varallo Sesia (Vercelli), Santa Maria delle Grazie, 1513 - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;      &lt;/div&gt;&lt;div style="text-align: center;" class="descriptions_container"&gt;         &lt;div class="items_description_wrapper"&gt;                                                                 &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_description"&gt;&lt;span class="bold_txt"&gt;Gaudenzio Ferrari&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Storie della vita di Cristo,                     Varallo Sesia (Vercelli), Santa Maria delle Grazie, 1513&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;               &lt;/div&gt;             &lt;/div&gt;                                   &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;          &lt;/div&gt;&lt;div style="text-align: center;" class="wrapper"&gt;         &lt;div class="items_wrapper"&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/3/img/andrea_pozzo.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Andrea Pozzo, Gloria di Sant'Ignazio, Roma, Sant'Ignazio, 1685 - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Andrea Pozzo, Gloria di Sant'Ignazio, Roma, Sant'Ignazio, 1685 - www.haltadefinizione.com" /&gt;&lt;br /&gt;&lt;span class="bold_txt"&gt;Andrea Pozzo&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;Gloria di Sant'Ignazio,                     Roma, Sant'Ignazio, 1685&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;                                    &lt;/div&gt;             &lt;/div&gt;                          &lt;div class="big_artworks_spacer"&gt;                 &lt;div class="big_artworks_holder"&gt;                     &lt;img src="http://www.haltadefinizione.com/immagini/opere/6/img/Figlia_di_iorio.jpg" class="masked_photo" alt="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Francesco Paolo Michetti, La Figlia di Iorio (1895), Pescara, Palazzo della Provincia - www.haltadefinizione.com" title="Visualizza i dettagli e gli approfondimenti in alta definizione dell'opera d'arte   Francesco Paolo Michetti, La Figlia di Iorio (1895), Pescara, Palazzo della Provincia - www.haltadefinizione.com" /&gt;                                      &lt;/div&gt;             &lt;/div&gt;                      &lt;/div&gt;     &lt;/div&gt;&lt;div style="text-align: center;"&gt;                                                                                                 &lt;span class="bold_txt"&gt;Francesco Paolo Michetti&lt;/span&gt;,                     &lt;span class="italic_txt"&gt;La Figlia di Iorio (1895),                     Pescara, Palazzo&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2070082047061798279?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2070082047061798279/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2070082047061798279&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2070082047061798279'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2070082047061798279'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/11/para-visualizar-as-obras-indicadas-em.html' title='Para visualizar em Alta Definição, clicar na hiperligação - Galeria Halta Definizione - na barra da direita, secção &quot;Páginas de Interesse&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1902303646101173531</id><published>2010-11-24T18:23:00.002Z</published><updated>2010-11-24T18:26:07.740Z</updated><title type='text'>“António Augusto Gonçalves e a fundação do Museu Machado de Castro”</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Dia 26 de Novembro, às 10.15H, no Museu da Ciência da Universidade de Coimbra (Laboratorio Chimico)&lt;/span&gt;, o Dr. Duarte Freitas profere uma conferência intitulada“António Augusto Gonçalves e a fundação do Museu Machado de Castro”. Esta iniciativa, no âmbito do 2ª Ciclo em História, Especialização em Museologia, é promovida pelo Doutoramento em História do Departamento de História, Arqueologia e Artes.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;Contactos&lt;br /&gt;Eventos, assessoria de media&lt;br /&gt;Maria do Carmo Carpenter&lt;br /&gt;Telefone: 239 859975&lt;br /&gt;Email: eventos.fluc@fl.uc.pt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1902303646101173531?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1902303646101173531/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1902303646101173531&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1902303646101173531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1902303646101173531'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/11/antonio-augusto-goncalves-e-fundacao-do.html' title='“António Augusto Gonçalves e a fundação do Museu Machado de Castro”'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2757292821236031144</id><published>2010-11-24T18:16:00.002Z</published><updated>2010-11-24T18:21:33.134Z</updated><title type='text'>Colóquio a Queda de Roma e o Alvorecer da Europa</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cx3EU979nHs/TO1XCYjAP1I/AAAAAAAAA_c/3mxS5tFMVn8/s1600/Roma-%2526-Europa-1.gif"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 280px; height: 400px;" src="http://1.bp.blogspot.com/_cx3EU979nHs/TO1XCYjAP1I/AAAAAAAAA_c/3mxS5tFMVn8/s400/Roma-%2526-Europa-1.gif" alt="" id="BLOGGER_PHOTO_ID_5543182414823571282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cx3EU979nHs/TO1XDnkzbjI/AAAAAAAAA_k/uOhaHEezolU/s1600/image.png"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 283px; height: 400px;" src="http://1.bp.blogspot.com/_cx3EU979nHs/TO1XDnkzbjI/AAAAAAAAA_k/uOhaHEezolU/s400/image.png" alt="" id="BLOGGER_PHOTO_ID_5543182436037520946" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:180%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cx3EU979nHs/TO1XCYjAP1I/AAAAAAAAA_c/3mxS5tFMVn8/s1600/Roma-%2526-Europa-1.gif"&gt;(clicar nas imagens para ver no tamanho real)&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2757292821236031144?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2757292821236031144/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2757292821236031144&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2757292821236031144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2757292821236031144'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/11/coloquio-queda-de-roma-e-o-alvorecer-da.html' title='Colóquio a Queda de Roma e o Alvorecer da Europa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cx3EU979nHs/TO1XCYjAP1I/AAAAAAAAA_c/3mxS5tFMVn8/s72-c/Roma-%2526-Europa-1.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5140025731675212228</id><published>2010-11-11T00:27:00.002Z</published><updated>2010-11-11T00:30:37.030Z</updated><title type='text'>Primitivos Portugueses (1450-1550) O século de Nuno Gonçalves</title><content type='html'>&lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImage" class="contentImage"&gt;&lt;div style="text-align: center;"&gt;           &lt;img style="width: 266px; height: 143px;" src="http://www.mnarteantiga-ipmuseus.pt/Data/ContentImages/Primitivos%20-%20Cabecalho.jpg" id="ctl00_ContentPlaceHolder1_ContentDetail1_imageContentNoUrl" title="" alt="" /&gt;          &lt;/div&gt;&lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImageAdditionalInformation" class="contentImageAdditionalInformation"&gt;              &lt;/div&gt; &lt;/div&gt;                        &lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentHeader" class="contentLead"&gt;&lt;p align="left"&gt;Museu Nacional de Arte Antiga&lt;br /&gt;11 de Novembro 2010 a 27 de Fevereiro 2011&lt;br /&gt;Comissário: José Alberto Seabra Carvalho&lt;/p&gt;&lt;/div&gt; &lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentBody" class="contentBody"&gt;&lt;strong&gt;Exposição&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Primitivos Portugueses (1450-1550)&lt;br /&gt;O século de Nuno Gonçalves&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;p align="left"&gt;Museu Nacional de Arte Antiga - &lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;11 de Novembro 2010 a 27 de Fevereiro 2011&lt;/span&gt;&lt;br /&gt;Museu de Évora - 18 de Novembro 2010 a 27 de Fevereiro 2011&lt;br /&gt;Comissário: José Alberto Seabra Carvalho&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Resumo&lt;br /&gt;&lt;/strong&gt;Reunindo  e colocando em confronto mais de 160 pinturas dos séculos XV e XVI,  reconstituindo alguns dos mais belos retábulos portugueses desse  período, esta exposição ensaia um panorama crítico, actualizado e de  grande dimensão, acerca dos chamados &lt;i&gt;Primitivos Portugueses&lt;/i&gt; e  visa demonstrar como o estudo técnico e material desse património  contribui decisivamente para renovar e aprofundar o seu conhecimento.  Assinalando o centenário da primeira apresentação ao público, em 1910,  dos &lt;i&gt;Painéis de S. Vicente&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;que desde então passaram a  constituir, nacional e internacionalmente, a obra “fundadora” e mais  célebre da arte da pintura em Portugal, a exposição procura também  documentar e questionar as noções de “originalidade artística” e de  “identidade nacional” tradicionalmente associadas ao brilhante ciclo  criativo dos &lt;i&gt;Primitivos Portugueses&lt;/i&gt;, iniciado por Nuno Gonçalves e depois prosseguido e consolidado pelos nossos pintores da primeira metade do século XVI. &lt;/p&gt;&lt;p style="text-align: justify;"&gt;Contando  com a colaboração de muitas colecções públicas e privadas, a selecção  de peças privilegiou quer os painéis retabulares mais importantes, quer  as pinturas menos conhecidas, algumas oportunamente restauradas para  esta ocasião. Do estrangeiro, comparecem importantes obras de museus de  Itália, França, Bélgica e Polónia. &lt;/p&gt;&lt;p style="text-align: justify;"&gt;A  estrutura da exposição tem uma dominante de ordenação cronológica mas  combina essa sequência de base com um agrupamento das obras em função  dos confrontos comparativos (estilísticos, iconográficos, etc.) que  importa suscitar.&lt;/p&gt;&lt;p style="text-align: justify;"&gt;O percurso integra  uma vasta quantidade de materiais gráficos, incluindo uma zona  exclusivamente dedicada ao conhecimento, exposição e polémicas  relacionadas com os &lt;i&gt;Primitivos Portugueses&lt;/i&gt; desde 1910. Inclui  também uma vasta documentação laboratorial associada à investigação do  processo criativo das pinturas mais relevantes.&lt;/p&gt;&lt;p style="text-align: justify;"&gt;O  núcleo expositivo no Museu de Évora é especialmente dedicado aos  pintores luso-flamengos e às oficinas activas na cidade nas primeiras  décadas do século XVI.&lt;/p&gt;A produção desta exposição conta com o apoio da &lt;a title="Centenário da República" href="http://www.centenariorepublica.pt/" target="_blank"&gt;Comissão Nacional para as Comemorações do Centenário da República&lt;/a&gt;&lt;/div&gt;    &lt;div class="contentChanges"&gt;     &lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentLastChange" class="contentLastChange"&gt;         &lt;span class="contentLastChangeLabel"&gt;Actualizado em:&lt;/span&gt;         &lt;span id="ctl00_ContentPlaceHolder1_ContentDetail1_contentLastChangeValue" class="contentLastChangeValue"&gt; 10 de Novembro de 2010&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;in http://www.mnarteantiga-ipmuseus.pt/pt-PT/destaques/ContentDetail.aspx?id=364&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;         &lt;/div&gt;      &lt;/div&gt;                                    &lt;a href="http://www.mnarteantiga-ipmuseus.pt/pt-PT/destaques/PrintVersionContentDetail.aspx?id=364" target="_blank"&gt;               &lt;span class="printVersionLinkAuxItem"&gt;&lt;/span&gt;               &lt;/a&gt;&lt;a href="http://www.mnarteantiga-ipmuseus.pt/pt-PT/destaques/PrintVersionContentDetail.aspx?id=364" target="_blank"&gt;&lt;span class="printVersionLinkText"&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5140025731675212228?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5140025731675212228/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5140025731675212228&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5140025731675212228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5140025731675212228'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/11/primitivos-portugueses-1450-1550-o.html' title='Primitivos Portugueses (1450-1550) O século de Nuno Gonçalves'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8034574454634396867</id><published>2010-10-31T16:01:00.003Z</published><updated>2010-10-31T19:14:46.557Z</updated><title type='text'>História de Arte Champions League</title><content type='html'>&lt;div style="text-align: justify;"&gt;Grupo criado no facebook por alunos da licenciatura de História da Arte que retrata algumas vertentes da vida &lt;span style="font-style: italic;"&gt;académica&lt;/span&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 445px; height: 334px;" src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs396.ash2/67425_162673180428308_100000568812834_424927_7049974_n.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A hiperligação encontra-se na barra da direita na secção dos blogs e grupos.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8034574454634396867?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8034574454634396867/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8034574454634396867&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8034574454634396867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8034574454634396867'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/10/historia-de-arte-champions-league.html' title='História de Arte Champions League'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-9175625102997390735</id><published>2010-10-18T23:21:00.001+01:00</published><updated>2010-10-18T23:24:58.591+01:00</updated><title type='text'>5.º Encontro com artistas contemporâneos</title><content type='html'>&lt;div id=":m3" class="ii gt"&gt;&lt;div id=":m4"&gt;      &lt;div bg="" style="color: rgb(255, 255, 255);"&gt; &lt;div&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;Exmo(a)  Senhor(a),&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;Tenho o gosto de  convidar V. Ex.ª a estar presente no 5.º Encontro com artistas contemporâneos,  nesta edição com a presença de João Queiróz, que decorrerá no próximo dia 27 de  Outubro, no Museu Nacional de Machado de Castro, pelas 18  horas. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;O evento, cujo  cartaz informativo se envia em anexo, é promovido pela Secção de Artes  (Instituto de História da Arte) do Departamento de História, Arqueologia e  Artes da  Faculdade de Letras da Universidade de  Coimbra.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;Antecipadamente  grata pela atenção, envio os melhores  cumprimentos.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt; color: rgb(0, 0, 0);"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;Maria de Lurdes  Craveiro&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Secção de Artes do  Departamento de História, Arqueologia e Artes da  FLU&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;C&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt; &lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs388.ash2/66603_1524796077527_1163395959_31314192_49862_n.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-9175625102997390735?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/9175625102997390735/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=9175625102997390735&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9175625102997390735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9175625102997390735'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/10/5-encontro-com-artistas-contemporaneos.html' title='5.º Encontro com artistas contemporâneos'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1884600221645399250</id><published>2010-10-16T22:30:00.001+01:00</published><updated>2010-10-16T22:32:11.174+01:00</updated><title type='text'>Igreja e Estado unidos na defesa do património artístico e religioso</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 447px; height: 329px;" src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs882.snc4/71537_1521830723395_1163395959_31307663_7477266_n.jpg" /&gt;&lt;br /&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;in&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; Correio de Coimbra_Ano LXXXIX_N.º 4337_14 de Outubro de 2010&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1884600221645399250?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1884600221645399250/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1884600221645399250&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1884600221645399250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1884600221645399250'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/10/igreja-e-estado-unidos-na-defesa-do.html' title='Igreja e Estado unidos na defesa do património artístico e religioso'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2051169229788954185</id><published>2010-10-15T11:12:00.000+01:00</published><updated>2010-10-15T11:13:51.926+01:00</updated><title type='text'>Centro Cultural do Patriarcado de Lisboa</title><content type='html'>&lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;&lt;strong&gt;A        Arte da Tumularia&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;&lt;img class="aligncenter size-large wp-image-3810" title="image001" src="http://triplov.com/triplo2/wp-content/uploads/2010/10/image001-282x600.jpg" alt="" width="282" height="600" /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;7º        Itinerário Temático em Igrejas de Lisboa&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Coord. António        Filipe Pimentel | Paulo Dias&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Oportunidade única para conhecer e  explorar de perto a especificidade da Arte da Tumular, o presente  itinerário pretende traçar um roteiro sobre essa realidade na capital.  Na sua 7ª edição, os Itinerários Temáticos em Igrejas de Lisboa  constituem uma das ofertas culturais e formativas de maior relevância do  Patriarcado de Lisboa. Conduzidos por investigadores de reconhecido  mérito, promovem, de modo qualificado, o vasto património histórico e  artístico da diocese, transportando os participantes à fruição e  observação de obras de arte exemplares.&lt;/p&gt; &lt;p&gt;Com início no mosteiro de São Vicente de Fora, o programa tem a  duração de um dia. Com duas modalidades de frequência, poderá ser  efectuado na íntegra ou parcialmente.&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;Programa.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;10:15        h&lt;/strong&gt; Recepção dos        participantes (Salão Nobre)&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;10:30        h&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;Abertura&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;10:45        h&lt;/strong&gt; &lt;em&gt;Tumularia de Lisboa: luzes, sombras e        questões&lt;/em&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Por António Filipe Pimentel&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;11:45        h&lt;/strong&gt; Intervalo&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;12:00        h &lt;/strong&gt;Visitas guiadas em S. Vicente        de Fora, Por Paulo Dias&lt;/p&gt; &lt;p style="text-align: center;"&gt;Panteões dos Bragança e dos Patriarcas, Capela dos&lt;/p&gt; &lt;p style="text-align: center;"&gt;Meninos        de Palhavã&lt;/p&gt; &lt;p style="text-align: center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;13:00        h&lt;/strong&gt; Almoço no Mosteiro de S.        Vicente de Fora&lt;/p&gt; &lt;p style="text-align: center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;14:30        h&lt;/strong&gt; Saída&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;15:00        h&lt;/strong&gt; Visita guiada à Sé de        Lisboa&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;16:00        h&lt;/strong&gt; Visita guiada à Igreja de        Santa Maria de Belém&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;17:00        h&lt;/strong&gt; Visita guiada à Basílica da        Estrela&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;17:30        h&lt;/strong&gt; Regresso ao Patriarcado        de Lisboa&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;&lt;strong&gt;Preços:&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;COMPLETO&lt;/strong&gt; | 45        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;Conferência;        Visitas S. Vicente de  Fora; Visitas Igrejas; Mini-Bus entre Igrejas;        Certificado  Participação; Almoço; Coffee break&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;MANHÃ&lt;/strong&gt; | 25        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;Conferência;        Visitas S. Vicente de Fora; Coffee        break&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;TARDE&lt;/strong&gt; | 25        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;Visitas Igrejas;        Mini-Bus entre Igrejas&lt;/p&gt; &lt;p style="text-align: center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;"&gt;* Almoço e        certificado de participação apenas incluindo no itinerário        completo&lt;/p&gt; &lt;p style="text-align: center;"&gt;** Os        participantes inscritos na modalidade da tarde deverão aguardar junto à        Igreja de S. Vicente de Fora&lt;/p&gt; &lt;p style="text-align: center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;—-&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;&lt;strong&gt;Iconografia        das Ordens&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;&lt;strong&gt;&lt;img class="aligncenter size-large wp-image-3811" title="image003" src="http://triplov.com/triplo2/wp-content/uploads/2010/10/image0031-283x600.jpg" alt="" width="283" height="600" /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;IV        Curso Livre de História da Arte Religiosa&lt;/p&gt; &lt;p style="text-align: center;"&gt;Coord. Carlos        A. Moreira Azevedo | Sandra Costa    Saldanha&lt;/p&gt; &lt;p style="text-align: center;"&gt;Dedicado ao tema da Iconografia         das Ordens, o IV Curso Livre de História da Arte Religiosa pretende         oferecer uma visão sinóptica sobre a produção, leitura e divulgação  da        imagem religiosa em Portugal. Assunto que não tem merecido a  devida        atenção, constitui, face ao vastíssimo espólio que o  património eclesial        oferece, um exercício de sistematização         inédito.&lt;/p&gt; &lt;p style="text-align: center;"&gt;Incidindo num        dos aspectos mais  significativos da Iconografia Religiosa, reúne um        qualificado  conjunto de investigadores nacionais, que em muito        contribuirão  para o conhecimento e valorização de uma tão relevante área        de  estudos. O curso decorrerá em 8 sessões, entre as 18:00 e as 19:30 h,         no Salão Nobre do Mosteiro de São Vicente de        Fora.&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;28        Out.&lt;/strong&gt; &lt;strong&gt;Jesuítas&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Maria Cristina Osswald&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;04        Nov.&lt;/strong&gt;&lt;strong&gt; Cistercienses&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Nuno Saldanha&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;11        Nov.&lt;/strong&gt; &lt;strong&gt;Beneditinos&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Fr. Geraldo Coelho Dias&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;18        Nov.&lt;/strong&gt;&lt;strong&gt; Franciscanos&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Victor Teixeira&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;25        Nov.&lt;/strong&gt; &lt;strong&gt;Dominicanos&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Victor        Teixeira&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;02        Dez.&lt;/strong&gt;&lt;strong&gt; Carmelitas&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Ana Paula Correia&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;09        Dez.&lt;/strong&gt; &lt;strong&gt;Agostinhos&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Carlos A. Moreira Azevedo&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;16        Dez.&lt;/strong&gt;&lt;strong&gt; Eremitas&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;Nuno Saldanha&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;&lt;span style="color: rgb(128, 0, 0);"&gt;Preços:&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Público        em Geral&lt;/strong&gt; | 135        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Participantes        cursos anteriores&lt;/strong&gt; | 100        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Sessões        avulsas&lt;/strong&gt; | 25        €&lt;/p&gt; &lt;p style="text-align: center;"&gt;Certificado de        frequência, com  descriminação do programa do curso, emitido pelo Centro        Cultural  do Patriarcado de Lisboa, a todos os participantes que assistam,         no mínimo, a 75 % das sessões previstas&lt;/p&gt; &lt;p style="text-align: center;"&gt;…&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;CENTRO        CULTURAL DO PATRIARCADO DE LISBOA&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Mosteiro de S.        Vicente de Fora – Campo de Santa Clara, 1100-472        Lisboa&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;strong&gt;Tel.        218810500 | &lt;a href="mailto:ccultural@patriarcado-lisboa.pt" target="_blank"&gt;ccultural@patriarcado-lisboa.pt&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2051169229788954185?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2051169229788954185/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2051169229788954185&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2051169229788954185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2051169229788954185'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/10/centro-cultural-do-patriarcado-de.html' title='Centro Cultural do Patriarcado de Lisboa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8359185513419788647</id><published>2010-10-04T17:08:00.001+01:00</published><updated>2010-10-04T17:12:14.486+01:00</updated><title type='text'>FRANCISCANOS E CLARISSAS EM TERRAS PORTUGUESAS DE ALÉM-MAR</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 358px; height: 505px;" src="http://teresatorga.no.sapo.pt/cartaz-Franciscanos.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8359185513419788647?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8359185513419788647/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8359185513419788647&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8359185513419788647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8359185513419788647'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/10/franciscanos-e-clarissas-em-terras.html' title='FRANCISCANOS E CLARISSAS EM TERRAS PORTUGUESAS DE ALÉM-MAR'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5189264756815220803</id><published>2010-09-30T17:33:00.005+01:00</published><updated>2010-10-07T15:51:23.435+01:00</updated><title type='text'>Lusa Apenas #6</title><content type='html'>&lt;div style="text-align: justify;"&gt;O tecto mudéjar da casa do Arcipreste Amaral, que se encontra desde à alguns anos na posse de uma república universitária, está desesperadamente a precisar de ser socorrido. Este tecto serve de cobertura à sala de convívio da república, pelo que não será preciso dizer que as nuvens de fumo que se desprendem dos cigarros dos frequentadores do local são nefastas para a peça. Também penso não ser necessário dizer que uma peça destas precisa de cuidados especiais que a salvaguardem para as gerações futuras.&lt;br /&gt;Deixo-vos aqui as fotografias - tiradas hoje, pois a última que conheço foi tiradas e publicadas, a preto e branco, pelo prof. Pedro Dias em 1979  - para que em conjunto possamos pensar numa solução que salve este tecto.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 485px; height: 364px;" src="http://teresatorga.no.sapo.pt/P1130131.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 486px; height: 364px;" src="http://teresatorga.no.sapo.pt/P1130132.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 406px; height: 304px;" src="http://teresatorga.no.sapo.pt/P1130135.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 408px; height: 307px;" src="http://teresatorga.no.sapo.pt/P1130133.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 495px; height: 372px;" src="http://teresatorga.no.sapo.pt/P1130134.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5189264756815220803?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5189264756815220803/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5189264756815220803&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5189264756815220803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5189264756815220803'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/09/lusa-apenas-6.html' title='Lusa Apenas #6'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8153919039147586988</id><published>2010-09-28T12:50:00.004+01:00</published><updated>2010-09-28T13:08:14.036+01:00</updated><title type='text'>"Monumentos Singulares"</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://teresatorga.no.sapo.pt/Untitl.jpg" target="popUpWin" onclick="popUpWin(this.href,'standard',1024,768);return false;"&gt;&lt;img style="width: 346px; height: 290px;" alt="Monumentos Singulares" src="http://teresatorga.no.sapo.pt/Untitl.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center; font-weight: bold;"&gt;(click on the image to enlarge)&lt;/div&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;in&lt;/span&gt; Diário de Coimbra, Terça-feira, dia 28 de Setembro de 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8153919039147586988?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8153919039147586988/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8153919039147586988&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8153919039147586988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8153919039147586988'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/09/monumentos-singulares.html' title='&quot;Monumentos Singulares&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-392204646078373243</id><published>2010-09-08T14:59:00.004+01:00</published><updated>2010-09-08T17:47:21.803+01:00</updated><title type='text'>Students of Erasmus Intensive Language Courses</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Ponto de Encontro/&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Meeting Point&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="font-size:180%;"&gt;Padaria/Café Flor da Conchada&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Aula de 16/09/2010&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; (Quinta feira)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Class on the &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;16/09/2010 (Thursday)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;at 9:00 am&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 494px; height: 347px;" src="http://teresatorga.no.sapo.pt/Mapa%20%20-%20Flor%20da%20Conchada.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-392204646078373243?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/392204646078373243/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=392204646078373243&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/392204646078373243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/392204646078373243'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/09/students-of-erasmus-intensive-language.html' title='Students of Erasmus Intensive Language Courses'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4619968231819912335</id><published>2010-08-04T18:55:00.001+01:00</published><updated>2010-08-04T20:30:26.556+01:00</updated><title type='text'>ITINERÁRIOS PEDESTRES</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="text-header style3"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="text-transform: uppercase;font-size:16pt;color:black;"  &gt;&lt;span style="color: rgb(0, 51, 102);"&gt;&lt;img alt="" src="http://globalsites.org/pipc-centrocultural/attachments/Image/Igrejas%20e%20Miradouros.jpg" width="212" align="left" height="300" hspace="5" /&gt;&lt;span style="font-size:100%;"&gt;Por Igrejas e Miradouros&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 51, 51);"&gt;Do Castelo a Alfama | Itinerário Pedestre&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="color: rgb(51, 51, 51);font-size:100%;" &gt;Integrado  no projecto de divulgação e valorização do vasto património histórico e  artístico da diocese de Lisboa, o Centro Cultural do Patriarcado de  Lisboa promove o I Curso de Verão, dedicado à temática da talha em  espaços religiosos. Destinado ao público em geral, oferece uma proposta  formativa dinâmica, centrada na observação directa das obras de arte,  através da realização de diversas visitas guiadas a igrejas de Lisboa.&lt;/span&gt;&lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="color: rgb(51, 51, 51);font-size:100%;" &gt;Arte  que proliferou nos espaços sacros, num movimento só comparável ao da  azulejaria, conhece o seu apogeu na época barroca. Dotada de  características únicas, testemunho vivo do génio artístico dos mestres  entalhadores, a talha lisboeta assume-se como um paradigma, a partir da  qual novas formas se desenvolvem e reinventam um pouco por todo o país.&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;div&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt; &lt;/span&gt;&lt;span style="color: rgb(51, 51, 51);font-size:9pt;" &gt;&lt;/span&gt;&lt;/div&gt;  &lt;div&gt;&lt;strong&gt;&lt;span style="font-variant: small-caps;"&gt;&lt;span style="color: rgb(0, 51, 102);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Programa&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;&lt;strong&gt;10:00h&lt;/strong&gt;&lt;span&gt; Miradouro de Santa Luzia&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Igreja de Santiago&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Igreja da Ordem de Malta&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;12:00h&lt;/strong&gt;&lt;span&gt; Miradouro de Santo Estêvão&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Igreja de Santo Estêvão&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;13:00h&lt;/strong&gt;&lt;span&gt; Mosteiro de S. Vicente de Fora&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Almoço livre&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;15:00h&lt;/strong&gt;&lt;span&gt; Miradouro da Senhora do Monte&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Capela da Senhora do Monte&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;16:00h&lt;/strong&gt;&lt;span&gt; Miradouro da Graça&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Igreja da Graça&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt;            Café&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span&gt; &lt;div&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;. &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;. &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;/span&gt;&lt;/div&gt;  &lt;div style="text-align: justify; background: none repeat scroll 0% 0% rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 51, 51);"&gt;Inscrições&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:100%;"&gt;Centro Cultural do Patriarcado de Lisboa&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:100%;"&gt;Andrea Tostões&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:100%;"&gt;Mosteiro de S. Vicente de Fora&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:100%;"&gt;Campo de Santa Clara, 1100-472 Lisboa&lt;/span&gt;&lt;/div&gt; &lt;span style="font-size:9pt;"&gt; &lt;p style="line-height: normal; margin: 0cm 0cm 0pt;" class="MsoBodyText"&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Tel. 218810500&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;div&gt;&lt;span style=";font-family:Arial;font-size:100%;"  lang="EN-US" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Fax: 218810555&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style=";font-family:Arial;font-size:9pt;"  lang="EN-US" &gt; &lt;p style="line-height: normal; margin: 0cm 0cm 0pt;" class="MsoBodyText"&gt;&lt;span style="color: rgb(165, 0, 33);font-family:Arial;font-size:9pt;"  &gt;&lt;a href="mailto:ccultural@patriarcado-lisboa.pt"&gt;&lt;span style="color: rgb(0, 0, 255);font-family:Arial;font-size:85%;"  &gt;ccultural@patriarcado-lisboa.pt&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4619968231819912335?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4619968231819912335/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4619968231819912335&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4619968231819912335'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4619968231819912335'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/08/itinerarios-pedestres.html' title='ITINERÁRIOS PEDESTRES'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6743765546476462917</id><published>2010-06-25T17:21:00.002+01:00</published><updated>2010-06-25T17:26:13.455+01:00</updated><title type='text'>Colóquio: A escultura patrocinada pela Rainha Santa: uma perspectiva interdisciplinar</title><content type='html'>Caros Alunos:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Junto envio o &lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;programa do Colóquio:&lt;/span&gt;&lt;/span&gt; A escultura patrocinada pela Rainha Santa: uma perspectiva interdisciplinar, que se realizará no &lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);"&gt;Museu Nacional de Machado de Castro,  no dia 29 de Junho de 2010.&lt;/span&gt;&lt;/span&gt; Este Colóquio terá como epílogo a inauguração da exposição: O escultor da Rainha, para a qual também endereço o convite. Gostaria muito que estivessem presentes.&lt;br /&gt;&lt;br /&gt;Com os meus melhores cumprimentos.&lt;br /&gt;&lt;br /&gt;Francisco Pato de Macedo&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 493px; height: 348px;" src="http://teresatorga.no.sapo.pt/Rainha-santa-web.jpeg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://teresatorga.no.sapo.pt/convite_mestre_pero_def.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6743765546476462917?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6743765546476462917/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6743765546476462917&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6743765546476462917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6743765546476462917'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/coloquio-escultura-patrocinada-pela.html' title='Colóquio: A escultura patrocinada pela Rainha Santa: uma perspectiva interdisciplinar'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2641010802665178665</id><published>2010-06-24T11:19:00.001+01:00</published><updated>2010-06-24T11:21:07.724+01:00</updated><title type='text'>Curso de Verão: O Esplendor da Talha</title><content type='html'>&lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td name="SB_stretch" class="pageContent"&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-family: Calibri; font-size: 16pt;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#990000;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;img alt="" src="http://globalsites.org/pipc-centrocultural/attachments/Image/Cartaz%20Talha.jpg" align="left" width="213" height="300" hspace="5" /&gt;&lt;/span&gt;&lt;/span&gt;O  Esplendor da Talha&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri; font-size: 16pt;"&gt;&lt;span style="font-size:100%;color:#000000;"&gt;por Sílvia Ferreira&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-family: Calibri; color: rgb(51, 51, 51);"&gt;&lt;span style="font-size:85%;color:#000080;"&gt;CURSO DE VERÃO DO PATRIARCADO DE LISBOA&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;16 e 17  de Julho 2010&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;Integrado  no projecto de divulgação e valorização do vasto património histórico e  artístico da diocese de Lisboa, o Centro Cultural do Patriarcado de  Lisboa promove o I Curso de Verão, dedicado à temática da talha em  espaços religiosos. Destinado ao público em geral, oferece uma proposta  formativa dinâmica, centrada na observação directa das obras de arte,  através da realização de diversas visitas guiadas a igrejas de Lisboa.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;Arte  que proliferou nos espaços sacros, num movimento só comparável ao da  azulejaria, conhece o seu apogeu na época barroca. Dotada de  características únicas, testemunho vivo do génio artístico dos mestres  entalhadores, a talha lisboeta assume-se como um paradigma, a partir da  qual novas formas se desenvolvem e reinventam um pouco por todo o país.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Local&lt;/strong&gt;:              Mosteiro de São Vicente de Fora&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Horário&lt;/strong&gt;:         10:00h-13:00 (aulas)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;                       15:00h-17:00h  (visitas)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;color:#ffffff;"&gt;.&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;color:#ffffff;"&gt;.&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="color:#ffffff;"&gt;.&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="color:#ffffff;"&gt;. &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#990000;"&gt;PROGRAMA&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#000080;"&gt;16 Julho&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;10:00h&lt;/span&gt; &lt;em&gt;&lt;strong&gt;Primórdios de uma arte: das  primeiras realizações do gótico flamejante às estruturas maneiristas&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;11:15h&lt;/span&gt; Café&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;11:30h&lt;/span&gt; &lt;em&gt;&lt;strong&gt;Nos alvores de um novo estilo:  o proto-barroco e os retábulos de Estilo Nacional&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;13:00h&lt;/span&gt; Almoço livre&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;14:30h&lt;/span&gt; Saída em autocarro&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;15:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de S. Roque&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;16:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de N.ª Sr.ª da  Conceição dos Cardaes&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;17:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de Santa Catarina&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;17:30h&lt;/span&gt; Saída em autocarro&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#000080;"&gt;17 Julho&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;10:00h&lt;/span&gt; &lt;em&gt;&lt;strong&gt;A hegemonia da talha: 50 anos  de grande produção (1670-1720). As obras e os artistas mais marcantes&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;11:15h&lt;/span&gt; Café&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;11:30h&lt;/span&gt; &lt;em&gt;&lt;strong&gt;A talha no reinado de D. João  V. Entre as influências externas e o gosto nacional&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;13:00h&lt;/span&gt; Almoço livre&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;15:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de N.ª Sr.ª da  Pena&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;16:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de Santiago&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;17:00h&lt;/span&gt; &lt;strong&gt;Visita à Igreja de S. Miguel de  Alfama&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#000000;"&gt;17:30h&lt;/span&gt; Saída em autocarro&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="font-family: Calibri;"&gt;Curso  completo&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family: Calibri;"&gt;        50 €&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="font-family: Calibri;"&gt;Visitas  guiadas&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family: Calibri;"&gt;           35  €&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#ffffff;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#0000ff;"&gt;&lt;a linkindex="15" target="_blank" href="http://globalsites.org/pipc-centrocultural/attachments/File/Ficha%20de%20Inscri%C3%A7%C3%A3o%20Curso%20Talha.doc"&gt;&lt;span style="color:#0000ff;"&gt;FICHA DE INSCRIÇÃO&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size:85%;color:#ffffff;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;strong&gt;Sílvia  Ferreira&lt;/strong&gt; é doutorada em História, especialidade Arte,  Património e Restauro, pela Faculdade de Letras da Universidade de  Lisboa, onde defendeu tese subordinada ao tema da talha barroca de  Lisboa. Colaborando regularmente em vários projectos ligados à  divulgação do património de talha dourada, é autora de diversas  publicações nesse domínio, entre as quais se destacam as obras: &lt;em&gt;Igreja  de Santa Catarina: a talha da Capela-Mor&lt;/em&gt; (Livros Horizonte, 2008) e  &lt;em&gt;A Talha: Esplendores de um passado ainda presente&lt;/em&gt; (Nova Terra,  2008).&lt;/span&gt;&lt;/div&gt; &lt;div align="justify"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td height="20"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2641010802665178665?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2641010802665178665/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2641010802665178665&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2641010802665178665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2641010802665178665'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/curso-de-verao-o-esplendor-da-talha.html' title='Curso de Verão: O Esplendor da Talha'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5613404074171231169</id><published>2010-06-22T13:41:00.003+01:00</published><updated>2010-06-22T13:46:20.344+01:00</updated><title type='text'>3.º ciclo em História da Arte na Faculdade de Letras da Universidade de Coimbra.</title><content type='html'>&lt;div style="color: rgb(0, 0, 0);" id=":yh" class="ii gt"&gt;      &lt;div bg=""&gt; &lt;div&gt;&lt;span style=";font-family:Arial;font-size:85%;"  &gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt; line-height: normal;"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;Exmo(a) Senhor (a)&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt; line-height: normal;"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;Venho, por este meio, divulgar a abertura do  3.º ciclo em  História da Arte na Faculdade de Letras da Universidade de Coimbra. Em  anexo  segue um folheto de divulgação. Para mais informações deve consultar &lt;/span&gt;&lt;a href="http://www.uc.pt/fluc/" target="_blank"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;http://www.uc.pt/fluc/&lt;/span&gt;&lt;/a&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;  (Candidaturas  aos Cursos de Pós-Graduação 2010-2011).&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt; line-height: normal;"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;Com os melhores cumprimentos, &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt; line-height: normal;"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;Maria de Lurdes Craveiro&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt; line-height: normal;"&gt;&lt;span style=";font-family:Calibri;font-size:100%;"  &gt;(Directora da Secção de Artes do Departamento  de História,  Arqueologia e Artes da Faculdade de Letras da Universidade de  Coimbra)&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt; &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left; color: rgb(0, 0, 0);"&gt;&lt;img style="width: 489px; height: 343px;" src="http://teresatorga.no.sapo.pt/3ciclo.jpeg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5613404074171231169?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5613404074171231169/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5613404074171231169&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5613404074171231169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5613404074171231169'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/3-ciclo-em-historia-da-arte-na.html' title='3.º ciclo em História da Arte na Faculdade de Letras da Universidade de Coimbra.'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8999391080401924648</id><published>2010-06-17T22:16:00.000+01:00</published><updated>2010-06-17T22:17:23.907+01:00</updated><title type='text'>CAV – SERVIÇO EDUCATIVO</title><content type='html'>&lt;span style="font-size: 12px;"&gt;&lt;span style="font-family:Arial Narrow;"&gt;&lt;span style="font-size:130%;"&gt;O Centro de Artes Visuais tem o prazer de convidar todos os interessados  a participar na &lt;b&gt;visita guiada à exposição &lt;i&gt;Dessine-moi un voyage,&lt;/i&gt;  de Jean-François Pirson&lt;/b&gt;, realizada por Isabel Nogueira, que terá  lugar no dia 23 de Junho, às 17h30.&lt;br /&gt;&lt;br /&gt;Às 18h30, será realizada uma &lt;b&gt;conferência&lt;/b&gt; dedicada ao tema&lt;b&gt; “A  fotografia como medium: obra de arte/documento&lt;/b&gt;”, que contará com a  participação de André Cepeda, Isabel Nogueira e João Seguro e será  moderada pelo Arq.º José António Bandeirinha.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;A entrada nos dois eventos é gratuita.&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;Com os melhores cumprimentos,&lt;br /&gt;Catarina Portelinha&lt;br /&gt;&lt;/span&gt;   &lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;..............................&lt;wbr&gt;..............................&lt;wbr&gt;.......&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial Narrow;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size:100%;"&gt;Catarina  Portelinha&lt;br /&gt;&lt;br /&gt;Produção &lt;i&gt;Exhibitions Organizer&lt;br /&gt;&lt;/i&gt;Serviço Educativo &lt;/span&gt; &lt;i&gt;&lt;span style="font-size:100%;"&gt;Education Department&lt;/span&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;br /&gt;..............................&lt;wbr&gt;..............................&lt;wbr&gt;.......&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-family:Arial Rounded  MT Bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8999391080401924648?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8999391080401924648/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8999391080401924648&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8999391080401924648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8999391080401924648'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/cav-servico-educativo.html' title='CAV – SERVIÇO EDUCATIVO'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5794902728731447845</id><published>2010-06-14T01:16:00.003+01:00</published><updated>2010-06-14T01:24:03.897+01:00</updated><title type='text'>Angra do Heroísmo</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Professor Doutor António Filipe Pimentel&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://tv1.rtp.pt/programas-rtp/index.php?p_id=26307&amp;amp;e_id=8&amp;amp;c_id=8&amp;amp;dif=tv"&gt;RTP  - PATRIMÓNIO MUNDIAL PORTUGUÊS&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;(clique na hiperligação para ver o vídeo)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5794902728731447845?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5794902728731447845/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5794902728731447845&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5794902728731447845'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5794902728731447845'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/angra-do-heroismo.html' title='Angra do Heroísmo'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-875328122683369559</id><published>2010-06-08T22:40:00.002+01:00</published><updated>2010-06-08T22:42:52.222+01:00</updated><title type='text'>Conferência: "Identidades, orçamentos e talentos reinventados: arte, arquitectura e património histórico na sociedade contemporânea".</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 479px; height: 677px;" src="http://teresatorga.no.sapo.pt/dalila.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-875328122683369559?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/875328122683369559/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=875328122683369559&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/875328122683369559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/875328122683369559'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/conferencia-identidades-orcamentos-e.html' title='Conferência: &quot;Identidades, orçamentos e talentos reinventados: arte, arquitectura e património histórico na sociedade contemporânea&quot;.'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8643170209135263372</id><published>2010-06-05T21:14:00.003+01:00</published><updated>2010-06-05T21:25:26.647+01:00</updated><title type='text'>Lusa Apenas #5...</title><content type='html'>No primeiro piso da Biblioteca Geral da Universidade de Coimbra, podemos vislumbrar como a UC trata o seu património&lt;span style="font-style: italic;"&gt;&lt;/span&gt;...&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 477px; height: 636px;" src="http://teresatorga.no.sapo.pt/chin1.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 477px; height: 636px;" src="http://teresatorga.no.sapo.pt/chin2.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 477px; height: 636px;" src="http://teresatorga.no.sapo.pt/chin3.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 477px; height: 636px;" src="http://teresatorga.no.sapo.pt/chin4.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 448px; height: 388px;" src="http://teresatorga.no.sapo.pt/chin5.JPG" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8643170209135263372?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8643170209135263372/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8643170209135263372&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8643170209135263372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8643170209135263372'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/lusa-apenas-4_05.html' title='Lusa Apenas #5...'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1198557357032031582</id><published>2010-06-05T20:38:00.000+01:00</published><updated>2010-06-05T20:39:22.793+01:00</updated><title type='text'>Lusa Apenas #4...</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span class="UIIntentionalStory_Names" ft="{&amp;quot;type&amp;quot;:&amp;quot;name&amp;quot;}"&gt;                &lt;/span&gt;&lt;span style="font-weight: bold;" class="UIStory_Message"&gt;&lt;br /&gt;É uma vergonha que quem faz trabalhos de  investigação tenha de pagar, no Arquivo da UC e bem assim na  Biblioteca Geral, as digitalizações de documentos que necessita para  produzir conhecimento científico.&lt;/span&gt;&lt;br /&gt;&lt;span class="UIStory_Message"&gt;&lt;/span&gt;&lt;/div&gt;&lt;h3 style="font-weight: bold;" class="UIIntentionalStory_Message" ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}"&gt;&lt;span class="UIStory_Message"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h3&gt;&lt;div style="text-align: center; font-weight: bold;"&gt;&lt;span class="UIStory_Message"&gt;AUC - 1, 25€ cada digitalização  + 1, 50 € o cd + 20% de iva&lt;/span&gt;&lt;br /&gt;&lt;span class="UIStory_Message"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="UIStory_Message"&gt;&lt;span class="text_exposed_hide"&gt;&lt;/span&gt;&lt;span class="text_exposed_show"&gt;BG - 2€ cada digitalização + 5€ o cd&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1198557357032031582?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1198557357032031582/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1198557357032031582&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1198557357032031582'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1198557357032031582'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/06/lusa-apenas-4.html' title='Lusa Apenas #4...'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3305629275459345826</id><published>2010-05-31T23:24:00.003+01:00</published><updated>2010-05-31T23:33:36.249+01:00</updated><title type='text'>Património da Universidade de Coimbra</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Jorge Barradas, Painel da Biblioteca Geral da Universidade de Coimbra, 1955.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 492px; height: 367px;" src="http://teresatorga.no.sapo.pt/barradas.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Jorge Barradas / Jorge Nicholson Moore Barradas&lt;br /&gt;&lt;br /&gt;Lisboa, 16-07-1894 - Lisboa, 30-06-1971&lt;br /&gt;&lt;br /&gt;Matriculou-se na Escola de Belas Artes de Lisboa em 1912, a qual frequentou durante um ano.&lt;br /&gt;Pintor, ilustrador, escultor, gravador e ceramista, pertenceu ao Grupo de Humoristas Portugueses em 1912. Responsável pela renovação da cerâmica artística moderna, desenvolveu um vasto trabalho nesta área que proporcionalmente corresponderá a cerca de metade da sua produção artística.&lt;br /&gt;Trabalhou na Fábrica Viúva Lamego e realizou trabalhos de cerâmica para edifícios públicos e particulares. Da sua vasta obra destacam-se os painéis que representam a "Escola de Sagres" para o Pavilhão de Portugal na Exposição Universal de Nova Iorque (1939), "Apolo e Minerva" para a Livraria Ática no Chiado (1950), "Baptismo de Jesus" para o baptistério da Igreja de S. João de Deus (1952), "A Pintura e a Escultura" para o então Museu de Arte Contemporânea, actual Museu do Chiado (1954), "Pássaros e Flores" para o Banco Nacional Ultramarino da Rua do Ouro (1969) e os painéis para o Palácio da Justiça (1969), todos em Lisboa. Distingue-se ainda um conjunto de azulejos e esculturas para a Casa Nogueira da Silva, em Braga (1960), o revestimento para o Palácio Atlântico, Banco Português do Atlântico no Porto (1950), os painéis para o Palácio da Justiça de Ovar (1965), a fachada da Casa de Portugal em Paris (1956) bem como a intervenção na antiga Embaixada de Portugal no Rio de Janeiro (1959). Realizou, igualmente, o frontal de altar cerâmico para a Igreja de Santo Eugénio em Roma.&lt;br /&gt;Este artista encontra-se representado em colecções nacionais e estrangeiras.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;(&lt;span style="font-style: italic;"&gt;in&lt;/span&gt; http://mnazulejo.imc-ip.pt/pt-PT/Coleccao/Coleccoes/ContentDetail.aspx?id=398)&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3305629275459345826?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3305629275459345826/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3305629275459345826&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3305629275459345826'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3305629275459345826'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/05/patrimonio-da-universidade-de-coimbra.html' title='Património da Universidade de Coimbra'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3839583074851314486</id><published>2010-05-14T17:59:00.002+01:00</published><updated>2010-05-14T18:05:09.139+01:00</updated><title type='text'>Mosteiro de S. Vicente de Fora - Arte e História</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 465px; height: 657px;" src="http://mostraconventual.files.wordpress.com/2010/04/cartaz-s-vicente-de-fora-peq.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table style="border-collapse: collapse;" border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr style="min-height: 27.45pt;" height="37"&gt;&lt;td colspan="2" style="width: 310.65pt; padding: 0cm 5.4pt; min-height: 27.45pt;" valign="top" width="414" height="37"&gt;&lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 20pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;S&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 17.5pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;ÃO &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 20pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;V&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 17.5pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;ICENTE DE &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 20pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;F&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 17.5pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;ORA&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 17pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;: Arte e  História&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:180%;color:maroon;"&gt;&lt;span style="font-size: 17.5pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:gray;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: gray; font-weight: bold;"&gt;Colóquio |  Visitas Guiadas | Exposições | Mostra   de Produtos Conventuais&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:78%;color:white;"&gt;&lt;span style="font-size: 5pt; font-family: Calibri; color: white; font-weight: bold;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="min-height: 27.5pt;" height="37"&gt;   &lt;td colspan="2" style="width: 310.65pt; padding: 0cm 5.4pt; min-height: 27.5pt;" valign="top" width="414" height="37"&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Objecto   de numerosas reflexões e análises críticas ao longo dos tempos, o  complexo   monástico de São Vicente de Fora, constitui hoje um dos monumentos  nacionais   de maior relevância e prestígio. Qualificado repositório artístico,  mormente   face à sua representatividade no panorama internacional, não tem  logrado,   apesar disso, de uma abordagem integrada, aglutinadora dos diversos  fenómenos   históricos, culturais e estilísticos que lhe estão associados. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Nesse   sentido, propôs-se o Centro Cultural do Patriarcado de Lisboa,  promover um   estudo aprofundado, que colmatasse tal lacuna. Tarefa que contou com a   colaboração de diversos investigadores, especialistas nas diversas  áreas,   teve como resultado a publicação do livro Mosteiro de São Vicente de  Fora:   Arte e História. Oferecendo um conhecimento actualizado sobre os seus  oito   séculos de existência, à apresentação pública da obra, associa-se,  através da   presente iniciativa, a realização de um conjunto de actividades  temáticas.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="min-height: 27.5pt;" height="37"&gt;   &lt;td style="width: 187.75pt; padding: 0cm 5.4pt; min-height: 27.5pt;" valign="top" width="250" height="37"&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Informações&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Centro   Cultural do Patriarcado de Lisboa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Mosteiro   de São Vicente de Fora&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Campo   de Santa Clara, 1100-472 Lisboa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Tel.:   218 810 500; Fax: 218 810 555&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Email:&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;" lang="FR"&gt;&lt;a href="mailto:ccultural@patriarcado-lisboa.pt" target="_blank"&gt;&lt;span lang="PT"&gt;ccultural@patriarcado-lisboa.&lt;wbr&gt;pt&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;" lang="FR"&gt;   &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;font-size:100%;color:#333333;"&gt;&lt;span style="font-size: 12pt; color: rgb(51, 51, 51);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: right;" align="right"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51); font-weight: bold;"&gt;Acompanhe  todas as actualizações em:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#990000;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(153, 0, 0); font-weight: bold;"&gt;&lt;a href="http://mostraconventual.wordpress.com/" target="_blank"&gt;&lt;span style="color:#990000;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;http://mostraconventual.&lt;wbr&gt;wordpress.com&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;font-size:100%;color:#333333;"&gt;&lt;span style="font-size: 12pt; color: rgb(51, 51, 51);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="width: 155.3pt; padding: 0cm 5.4pt; min-height: 27.5pt;" valign="top" width="207" height="37"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Colóquio&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;28 e 29 Maio&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Salão  Nobre +   Visitas Guiadas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Lançamento   do Livro&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;28 de Maio, 18:30h&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Sacristia&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Mostra   de Produtos Conventuais&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;Abertura: 28 de Maio,  12:30h&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Claustros&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#333333;"&gt;&lt;span style="color: rgb(51, 51, 51);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="width: 155.35pt; padding: 0cm 5.4pt; min-height: 27.5pt;" valign="top" width="207" height="37"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Exposição   de Fotografia&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;Abertura: 28 de Maio,  12:30h &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Portaria  do Museu&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Exposição   Bibliográfica&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;Abertura: 28 de Maio,  12:30h&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Portaria  do Museu&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family:Calibri;font-size:85%;color:maroon;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: maroon; font-weight: bold;"&gt;Exposição   de Documentos &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri;"&gt;Abertura: 29 de Maio,  16:30h&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;color:#333333;"&gt;&lt;span style="font-size: 10pt; font-family: Calibri; color: rgb(51, 51, 51);"&gt;Museu  (2º piso)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3839583074851314486?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3839583074851314486/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3839583074851314486&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3839583074851314486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3839583074851314486'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/05/mosteiro-de-s-vicente-de-fora-arte-e.html' title='Mosteiro de S. Vicente de Fora - Arte e História'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6680997857073781041</id><published>2010-05-13T14:13:00.003+01:00</published><updated>2010-05-13T14:17:07.780+01:00</updated><title type='text'>Dia Internacional dos Museus</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Programa do Museu Nacional Machado de Castro&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 443px; height: 666px;" src="http://mnmachadodecastro.imc-ip.pt/Data/ContentImages/newsletter/DImuseus.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6680997857073781041?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6680997857073781041/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6680997857073781041&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6680997857073781041'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6680997857073781041'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/05/dia-internacional-dos-museus.html' title='Dia Internacional dos Museus'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2594102715982910600</id><published>2010-05-05T10:50:00.002+01:00</published><updated>2010-05-05T10:54:16.709+01:00</updated><title type='text'>Exposição de Pintura</title><content type='html'>A pedido da colega Maria João aqui fica a seguinte divulgação&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 425px; height: 254px;" src="http://teresatorga.no.sapo.pt/mj.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2594102715982910600?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2594102715982910600/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2594102715982910600&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2594102715982910600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2594102715982910600'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/05/exposicao-de-pintura.html' title='Exposição de Pintura'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1268738879322744811</id><published>2010-04-30T22:50:00.003+01:00</published><updated>2010-04-30T22:57:02.132+01:00</updated><title type='text'>O Método Científico...</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 452px; height: 301px;" src="http://teresatorga.no.sapo.pt/pedrodias.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 453px; height: 303px;" src="http://teresatorga.no.sapo.pt/pedrodias2.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1268738879322744811?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1268738879322744811/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1268738879322744811&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1268738879322744811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1268738879322744811'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/04/o-metodo-cientifico.html' title='O Método Científico...'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8910513036712924848</id><published>2010-04-18T21:16:00.001+01:00</published><updated>2010-04-18T21:18:49.792+01:00</updated><title type='text'>Conferência O restauro em Portugal no século XIX: teoria e prática</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 452px; height: 636px;" src="http://ihauc.com/images/stories/rosasweb.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8910513036712924848?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8910513036712924848/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8910513036712924848&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8910513036712924848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8910513036712924848'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/04/conferencia-o-restauro-em-portugal-no.html' title='Conferência O restauro em Portugal no século XIX: teoria e prática'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8431226446384771951</id><published>2010-04-11T18:24:00.001+01:00</published><updated>2010-04-11T18:24:46.046+01:00</updated><title type='text'>COLÓQUIO NOVAS VISÕES DO PASSADO</title><content type='html'>&lt;p class="pagetitle"&gt;DIA INTERNACIONAL DOS MONUMENTOS E SÍTIOS 2010&lt;/p&gt;            &lt;table align="left" cellpadding="0" cellspacing="0" width="200"&gt;     &lt;tbody&gt;&lt;tr&gt;      &lt;td bgcolor="#000000"&gt;&lt;img src="http://www.culturacentro.pt/downloadImage.asp?id=259&amp;amp;tp=0" alt="DIA INTERNACIONAL DOS MONUMENTOS E SÍTIOS 2010" class="imgthumb" width="200" /&gt;&lt;/td&gt;      &lt;td&gt;&lt;img src="http://www.culturacentro.pt/i/px_trans.gif" alt="px" width="5" height="1" /&gt;&lt;/td&gt;     &lt;/tr&gt;    &lt;/tbody&gt;&lt;/table&gt;SANTA CLARA A VELHA 365 DIAS DEPOIS&lt;br /&gt;"O Dia  Internacional de Monumentos e Sítios é assinalado no próximo dia 18 de  Abril e este ano consagrado ao tema “Património Rural. Paisagens  Culturais”.&lt;br /&gt;A Direcção Regional de Cultura do Centro organiza no  Mosteiro de Santa Clara a Velha um programa duplo, que inclui também a  comemoração do primeiro aniversário da apresentação pública desse espaço  requalificado.&lt;br /&gt;................................................................................................................&lt;br /&gt;António  Pedro Pita&lt;br /&gt;Director Regional de Cultura do Centro&lt;br /&gt;&lt;br /&gt;MOSTEIRO DE  SANTA CLARA-A-VELHA&lt;br /&gt;&lt;br /&gt;PROGRAMA&lt;br /&gt;&lt;br /&gt;DIA 17 DE ABRIL&lt;br /&gt;COLÓQUIO&lt;br /&gt;NOVAS  VISÕES DO PASSADO&lt;br /&gt;Pretende a Direcção Regional de Cultura do Centro  reunir, ao longo de uma Jornada, especialistas em diferentes domínios  académicos que de forma isolada ou em conjunto abordam nos seus estudos o  património construído.&lt;br /&gt;Discutir o  património edificado nas suas  diferentes vidas, é função de uma intervenção pluridisciplinar, em que  os arquivos são a fonte primordial, a construção génese de vivência, o  abandono fonte de destruição e da subsequente e necessária recuperação.&lt;br /&gt;Abordar  o construído é pensar a sua vida, vivência e morte.&lt;br /&gt;&lt;br /&gt;Manhã&lt;br /&gt;9:00  Abertura dos trabalhos&lt;br /&gt;&lt;br /&gt;INTERVENÇÕES ARQUITECTÓNICAS&lt;br /&gt;&lt;br /&gt;10:00  O patronato e a construção&lt;br /&gt;Francisco Pato de Macedo&lt;br /&gt;&lt;br /&gt;10:35  Perfurar as cotas&lt;br /&gt;Maria da Conceição Lopes&lt;br /&gt;Pausa&lt;br /&gt;11:35  Conservação ou gestão da mudança? De onde viemos e para onde vamos&lt;br /&gt;José  Aguiar&lt;br /&gt;12:05 Visões alternativas para o espaço&lt;br /&gt;Alexandre Alves  Costa &lt;br /&gt;&lt;br /&gt;12:35 Debate&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tarde&lt;br /&gt;ULTRAPASSAR  A MORTE E O SAGRADO NO ESPAÇO DE CLAUSURA&lt;br /&gt;15:00 Doença e morte no  espaço sagrado&lt;br /&gt;Eugénia Cunha e Francisco Curate&lt;br /&gt;&lt;br /&gt;15:35 A  capitalização da Memória. O túmulo novo da Rainha &lt;br /&gt;Maria de Lurdes  Craveiro&lt;br /&gt;&lt;br /&gt;Pausa&lt;br /&gt;&lt;br /&gt;16:35 A escultura pétrea quinhentista em  Santa Clara&lt;br /&gt;Carla Alexandra Gonçalves&lt;br /&gt;&lt;br /&gt;17:05 Debate&lt;br /&gt;Conclusão  dos trabalhos&lt;br /&gt;&lt;br /&gt;DIA 18 DE ABRIL&lt;br /&gt;10:30 Visita guiada “À  descoberta do Mosteiro de Santa Clara-a-Velha”&lt;br /&gt;Artur Côrte-Real (  Coordenador da Equipa de Projecto)&lt;br /&gt;&lt;br /&gt;11:30 – Assinatura do  Protocolo de colaboração entre a Direcção Regional de Cultura do Centro e  a Escola Superior Agrária de Coimbra.&lt;br /&gt;Professor António Pedro Pita  (Director Regional de Cultura do Centro)&lt;br /&gt;Professor Carlos Dias  Pereira (Director da Escola Superior Agrária de Coimbra)&lt;br /&gt;&lt;br /&gt;11:45  Projecto: A Horta antiga - entre a prática monástica e a agricultura  biológica.&lt;br /&gt;Lígia Gambini, Luisa Cardoso e Elsa Canavarro&lt;br /&gt;&lt;br /&gt;15:00  Palestra pelo Professor Doutor Saul Gomes (em torno da alimentação e  doçaria conventual)&lt;br /&gt;&lt;br /&gt;16:00 Projecto:  “Um novo doce conventual .  As Clarissinhas de Coimbra.&lt;br /&gt;Passado e Contemporaneidade”&lt;br /&gt;Artur  Côrte-Real (Coordenador da Equipa de Projecto)&lt;br /&gt;Chefe Albano Lourenço (  Hotel Quinta das Lágrimas)&lt;br /&gt;&lt;br /&gt;17:00 Porto de Honra&lt;br /&gt;Prova  do  novo doce conventual “As Clarissinhas de Coimbra”&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8431226446384771951?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8431226446384771951/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8431226446384771951&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8431226446384771951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8431226446384771951'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/04/coloquio-novas-visoes-do-passado.html' title='COLÓQUIO NOVAS VISÕES DO PASSADO'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8209394753719714026</id><published>2010-04-08T08:32:00.002+01:00</published><updated>2010-04-08T08:35:49.837+01:00</updated><title type='text'>Conferência</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 471px; height: 663px;" src="http://ihauc.com/images/stories/rosmaninho-web.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8209394753719714026?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8209394753719714026/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8209394753719714026&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8209394753719714026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8209394753719714026'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/04/conferencia.html' title='Conferência'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-7771248486466994904</id><published>2010-03-30T23:49:00.002+01:00</published><updated>2010-03-31T00:08:53.359+01:00</updated><title type='text'>Coimbra. Lusa... Apenas...#3</title><content type='html'>O interessante programa iconográfico da Mata de Stª Cruz (Jardim da Sereia) está votado ao abandono... uma das muitas "vergonhas" que esta cidade apresenta impavidamente.&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 480px; height: 359px;" src="http://teresatorga.no.sapo.pt/torreao1.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/torreao2.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/lucas.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/joao.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/mateus.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/marcos.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 482px; height: 361px;" src="http://teresatorga.no.sapo.pt/fonte1.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/fonte2.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 488px; height: 366px;" src="http://teresatorga.no.sapo.pt/azulejos.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/tritao.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/maria.JPG" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-7771248486466994904?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/7771248486466994904/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=7771248486466994904&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7771248486466994904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7771248486466994904'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/03/coimbra-lusa-apenas3.html' title='Coimbra. Lusa... Apenas...#3'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3479623390040887862</id><published>2010-03-26T23:05:00.003Z</published><updated>2010-03-26T23:11:13.419Z</updated><title type='text'>Coimbra. Lusa... Apenas.</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img src="http://teresatorga.no.sapo.pt/atena1.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://teresatorga.no.sapo.pt/atena2.JPG" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3479623390040887862?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3479623390040887862/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3479623390040887862&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3479623390040887862'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3479623390040887862'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/03/coimbra-lusa-apenas.html' title='Coimbra. Lusa... Apenas.'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1061795538231325309</id><published>2010-03-22T23:19:00.003Z</published><updated>2010-03-22T23:23:16.812Z</updated><title type='text'>Jantar de Curso - Licenciatura/Mestrado/Doutoramento</title><content type='html'>&lt;div style="text-align: center;"&gt;Inscrições no IHA, na dona Idalina.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/circe.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1061795538231325309?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1061795538231325309/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1061795538231325309&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1061795538231325309'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1061795538231325309'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/03/jantar-de-curso.html' title='Jantar de Curso - Licenciatura/Mestrado/Doutoramento'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2288427657464788625</id><published>2010-03-12T00:00:00.004Z</published><updated>2010-03-12T00:05:42.120Z</updated><title type='text'>EXPOSIÇÃO NA GALERIA DE ARTE E CENTRO DE MUTUALISMO</title><content type='html'>A pedido do colega Fenando aqui fica a seguinte divugação:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 412px; height: 422px;" src="http://lh5.ggpht.com/_CCk9wIJbAvA/S4-wsYHw7BI/AAAAAAAACb4/ZrotMQwQJK8/Vitor%20Costa_thumb%5B1%5D.jpg?imgmax=800" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2288427657464788625?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2288427657464788625/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2288427657464788625&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2288427657464788625'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2288427657464788625'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/03/exposicao-na-galeria-de-arte-e-centro.html' title='EXPOSIÇÃO NA GALERIA DE ARTE E CENTRO DE MUTUALISMO'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_CCk9wIJbAvA/S4-wsYHw7BI/AAAAAAAACb4/ZrotMQwQJK8/s72-c/Vitor%20Costa_thumb%5B1%5D.jpg?imgmax=800' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6130146677553533005</id><published>2010-03-07T14:47:00.004Z</published><updated>2010-03-07T15:38:39.039Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Coimbra'/><category scheme='http://www.blogger.com/atom/ns#' term='São Jorge'/><category scheme='http://www.blogger.com/atom/ns#' term='vereadora da Cultura'/><category scheme='http://www.blogger.com/atom/ns#' term='Corpo de Deus'/><category scheme='http://www.blogger.com/atom/ns#' term='Corpus Christi'/><title type='text'>São Jorge</title><content type='html'>&lt;div style="text-align: justify;"&gt;Excelentíssima vereadora da Cultura da Câmara Municipal de Coimbra Doutora Maria José Azevedo, o Arquivo Histórico Municipal de Coimbra (AHMC), como bem sabe, não se resume simplesmente a documentação escrita.&lt;br /&gt;&lt;br /&gt;Este documento, peça dos finais do séc. XVIII - meados do séc. XIX, que integrava as procissões do Corpo de Deus, grita desesperadamente por um restauro/conservação.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;Os meus mais respeitosos cumprimentos&lt;br /&gt;Vítor Costa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://teresatorga.no.sapo.pt/P1000658.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/P1000656.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 487px; height: 365px;" src="http://teresatorga.no.sapo.pt/P1000657.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/P1000653.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/P1000654.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresatorga.no.sapo.pt/P1000655.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6130146677553533005?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6130146677553533005/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6130146677553533005&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6130146677553533005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6130146677553533005'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/03/sao-jorge.html' title='São Jorge'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6227276676905815743</id><published>2010-02-18T20:14:00.002Z</published><updated>2010-02-18T20:24:48.523Z</updated><title type='text'>Provas de Doutoramento da Mestre Luísa Trindade</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 459px; height: 344px;" src="http://teresatorga.no.sapo.pt/P1000078.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 459px; height: 344px;" src="http://teresatorga.no.sapo.pt/P1000077.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 342px; height: 458px;" src="http://teresatorga.no.sapo.pt/P1000085.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 343px; height: 447px;" src="http://teresatorga.no.sapo.pt/P1000086.JPG" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 459px; height: 344px;" src="http://teresatorga.no.sapo.pt/P1000087.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:180%;"&gt;Aprovada com máxima distinção. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Parabéns Doutora Luísa Trindade&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6227276676905815743?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6227276676905815743/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6227276676905815743&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6227276676905815743'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6227276676905815743'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/02/provas-de-doutoramento-da-mestre-luisa.html' title='Provas de Doutoramento da Mestre Luísa Trindade'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4127348565643216277</id><published>2010-02-06T12:19:00.002Z</published><updated>2010-02-06T12:27:07.774Z</updated><title type='text'>Colóquio Bauhaus: arquitectura e causa pública</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 460px; height: 647px;" src="http://ihauc.com/images/stories/cartaz-finalweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 460px; height: 647px;" src="http://ihauc.com/images/stories/programa-costas-finalweb.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4127348565643216277?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4127348565643216277/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4127348565643216277&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4127348565643216277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4127348565643216277'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/02/coloquio-bauhaus-arquitectura-e-causa.html' title='Colóquio Bauhaus: arquitectura e causa pública'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1453781027379961485</id><published>2010-01-29T12:08:00.001Z</published><updated>2010-01-29T12:12:03.476Z</updated><title type='text'>Conferência - Luísa Jacquinet - 24 de Fevereiro de 2010</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 435px; height: 611px;" src="http://ihauc.com/images/stories/lourical-web.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1453781027379961485?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1453781027379961485/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1453781027379961485&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1453781027379961485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1453781027379961485'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/01/conferencia-luisa-jacquinet-24-de.html' title='Conferência - Luísa Jacquinet - 24 de Fevereiro de 2010'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8328858893747734769</id><published>2010-01-20T14:41:00.000Z</published><updated>2010-01-20T14:44:44.124Z</updated><title type='text'>António Filipe Pimentel deverá ser o novo director do Museu de Arte Antiga</title><content type='html'>&lt;div style="text-align: justify;"&gt;António Filipe Pimentel deverá ser o novo director do Museu Nacional de Arte Antiga (MNAA), em substituição de Paulo Henriques, que foi ontem afastado do cargo. A notícia foi avançada pela revista L+Arte na sua página do Facebook e confirmada por fontes ouvidas pelo PÚBLICO, mas ainda não foi oficialmente confirmada pelo Ministério da Cultura.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://static.publico.clix.pt/imagens.aspx/290682?tp=UH&amp;amp;db=IMAGENS&amp;amp;w=350" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;                   Doutorado em História de Arte pela Universidade de Coimbra, António Filipe Pimentel era director do Museu Grão Vasco desde Setembro. Foi pró-reitor da Universidade de Coimbra com competências na área do Património e da Candidatura da Universidade a Património Mundial.&lt;br /&gt;&lt;br /&gt;O nome do novo director só deverá ser oficialmente anunciado hoje às 16h numa conferência de imprensa da ministra da Cultura, Gabriela Canavilhas, na qual será apresentado o Plano Estratégico para os Museus do Século XXI – um plano que refere a necessidade de introduzir “práticas de gestão” e de conseguir “ganhos de eficácia” na forma como os museus portugueses são geridos.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;O Público online 20.01.2010 - 11:04 Por Alexandra Prado Coelho&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8328858893747734769?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8328858893747734769/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8328858893747734769&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8328858893747734769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8328858893747734769'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/01/antonio-filipe-pimentel-devera-ser-o.html' title='António Filipe Pimentel deverá ser o novo director do Museu de Arte Antiga'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-7219718078545591836</id><published>2010-01-19T14:11:00.005Z</published><updated>2010-01-19T14:25:29.395Z</updated><title type='text'>Igrejas modernas de Lisboa  6º Itinerário temático em Igrejas de Lisboa</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;img src="http://globalsites.org/pipc-centrocultural/attachments/Image/Cartaz%20Igrejas%20Modernas%20peq.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;igrejas modernas de Lisboa&lt;br /&gt;&lt;br /&gt;6º Itinerário temático em Igrejas de Lisboa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;6 de Fevereiro de 2010&lt;br /&gt;&lt;br /&gt;Igreja do Sagrado Coração de Jesus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Promovendo o vasto património histórico e artístico da Diocese de Lisboa, os Itinerários Temáticos em Igrejas de Lisboa pretendem transportar todos os participantes à fruição e observação de obras de arte consideradas exemplares. Com início na Igreja do Sagrado Coração de Jesus, o presente programa terá a duração de um dia e inclui, durante a manhã, duas conferências, uma visita guiada e almoço e, durante a tarde, três itinerários a igrejas de Lisboa, representativas da temática proposta. Será conduzido pelos arquitectos José Manuel Fernandes e João Alves da Cunha.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Programa&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;10:00 h             Recepção dos participantes, Igreja do Sagrado Coração de Jesus&lt;br /&gt;&lt;br /&gt;10:30 h             Abertura&lt;br /&gt;&lt;br /&gt;10:45 h             Arquitectura Religiosa Moderna em Portugal - alguns temas&lt;br /&gt;&lt;br /&gt;                        Arq. José Manuel Fernandes&lt;br /&gt;&lt;br /&gt;11:15 h             Intervalo&lt;br /&gt;&lt;br /&gt;11:30 h             Breve história pelas igrejas da Diocese de Lisboa (1910-2010):&lt;br /&gt;&lt;br /&gt;                        leitura litúrgica, pastoral e arquitectónica&lt;br /&gt;&lt;br /&gt;                        Arq. João Alves da Cunha&lt;br /&gt;&lt;br /&gt;12:00 h             Visita à Igreja do Sagrado Coração de Jesus&lt;br /&gt;&lt;br /&gt;13:00 h             Almoço&lt;br /&gt;&lt;br /&gt;14:30 h             Saída&lt;br /&gt;&lt;br /&gt;15:00 h             Visita à Igreja de Nossa Senhora de Fátima&lt;br /&gt;&lt;br /&gt;16:00 h             Visita à Igreja de Santo António de Moscavide&lt;br /&gt;&lt;br /&gt;17:00 h             Visita à Igreja do Convento de S. Domingos&lt;br /&gt;&lt;br /&gt;17:30 h             Regresso, Igreja do Sagrado Coração de Jesus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Inscrições&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Os interessados deverão enviar, até 4 de Fevereiro de 2010, a ficha de inscrição, devidamente preenchida e acompanhada do respectivo pagamento, para:&lt;br /&gt;&lt;br /&gt;                                             Itinerários Temáticos em Igrejas de Lisboa&lt;br /&gt;&lt;br /&gt;                                             Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;                                             Mosteiro de São Vicente de Fora&lt;br /&gt;&lt;br /&gt;                                             Campo de Santa Clara, 1100-472 Lisboa&lt;br /&gt;&lt;br /&gt;* Pré-inscrições por email&lt;br /&gt;&lt;br /&gt;Pagamento&lt;br /&gt;&lt;br /&gt;              Numerário&lt;br /&gt;&lt;br /&gt;              Cheque: à ordem de PATRIARCADO DE LISBOA&lt;br /&gt;&lt;br /&gt;              Transferência bancária: NIB – 0046 0012 00600041108 70&lt;br /&gt;&lt;br /&gt;             (mediante envio de uma cópia de comprovativo)&lt;br /&gt;&lt;br /&gt;Secretariado&lt;br /&gt;&lt;br /&gt;Andrea Tostões&lt;br /&gt;&lt;br /&gt;Tel. 218810500&lt;br /&gt;&lt;br /&gt;Fax: 218810555&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Contactos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mosteiro de São Vicente de Fora&lt;br /&gt;&lt;br /&gt;Campo de Santa Clara&lt;br /&gt;&lt;br /&gt;1100-472 Lisboa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Informações&lt;br /&gt;&lt;br /&gt;ccultural@patriarcado-lisboa.pt&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-7219718078545591836?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/7219718078545591836/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=7219718078545591836&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7219718078545591836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7219718078545591836'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/01/grejas-modernas-de-lisboa-6-itinerario.html' title='Igrejas modernas de Lisboa  6º Itinerário temático em Igrejas de Lisboa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8340646926519091980</id><published>2010-01-12T19:45:00.003Z</published><updated>2010-01-12T19:50:45.104Z</updated><title type='text'>BISSAYA BARRETO: TRAÇOS DE UM PENSAMENTO ARQUITECTÓNICO</title><content type='html'>&lt;span style=";font-family:book Antiqua;font-size:100%;"  &gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Caros Senhores (as), &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; &lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;A Casa Museu Bissaya Barreto apresenta neste primeiro quadrimeste um vasto e variado leque de actividade culturais os quais sugerimos com o envio do Desdobrável (em anexo) e para os quais estão desde já convidados.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;br /&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; &lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="font-family:'Arial Narrow';"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:180%;" &gt;&lt;strong&gt;[CONVERSAS AO FIM DA TARDE] &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span&gt; &lt;/span&gt;&lt;strong&gt;19 de Janeiro&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span style=";font-family:book Antiqua;font-size:100%;"  &gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;strong&gt;&lt;span&gt; &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;i&gt;BISSAYA BARRETO: TRAÇOS DE UM PENSAMENTO ARQUITECTÓNICO&lt;/i&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;p style="margin: 0cm 0cm 0pt;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;A Arquitectura, enquanto campo de acção de Bissaya Barreto, é uma vertente que agrega e formaliza aspectos absolutamente diversos, mas complementares do seu pensamento. Tendo como pano de fundo a sua relação com os Arquitectos, serão abordadas diversas questões, permitindo a reflexão sobre o papel da Arquitectura no percurso de Bissaya Barreto, bem como as suas convicções e estratégias nesta área.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0pt;" class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=";font-family:book Antiqua;font-size:100%;"  &gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;i&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;/span&gt;&lt;/i&gt; &lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span&gt;&lt;strong&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;Conferência por&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;Ricardo Jerónimo Azevedo Silva&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;(Doutorando do Departamento de Arquitectura da Faculdade de Ciências e Tecnologia da Universidade de Coimbra)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;/span&gt; &lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt 36pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;Horário: 19.00h&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:130%;"  &gt;Destinatários: Público em geral&lt;/span&gt;&lt;span style=";font-family:'Arial Narrow';font-size:10pt;"  &gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm 0cm 0pt 36pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style=";font-family:'Arial Narrow';font-size:9pt;"  &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;Entrada: &lt;span style="color: rgb(204, 0, 0); font-weight: bold;"&gt;Livre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:'Book Antiqua','serif';font-size:10pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin: 0cm 0cm 0pt 36pt; text-align: justify;" class="MsoNormal"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:'Book Antiqua','serif';font-size:130%;"  &gt;Centro de Documentação Bissaya Barreto&lt;/span&gt; &lt;/p&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(0, 0, 0);font-family:'Book Antiqua','serif';font-size:10pt;"  &gt;&lt;span style="font-size:100%;"&gt;Rua da Infantaria 23&lt;br /&gt;Arcos do Jardim&lt;br /&gt;T:+351239853805&lt;br /&gt;F:+351239853806&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;a href="http://www.fbb.pt/" target="_blank"&gt;www.fbb.pt&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8340646926519091980?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8340646926519091980/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8340646926519091980&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8340646926519091980'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8340646926519091980'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/01/bissaya-barreto-tracos-de-um-pensamento.html' title='BISSAYA BARRETO: TRAÇOS DE UM PENSAMENTO ARQUITECTÓNICO'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1452195006586641206</id><published>2010-01-11T02:51:00.002Z</published><updated>2010-01-11T02:54:50.910Z</updated><title type='text'>Apresentação do Livro - Código Pedagógico dos Jesuítas</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 395px; height: 790px;" src="http://teresatorga.no.sapo.pt/ratio_studiorum_convite_coimbra.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1452195006586641206?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1452195006586641206/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1452195006586641206&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1452195006586641206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1452195006586641206'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2010/01/apresentacao-do-livro-codigo-pedagogico.html' title='Apresentação do Livro - Código Pedagógico dos Jesuítas'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-9153813028923692802</id><published>2009-11-16T00:48:00.001Z</published><updated>2009-11-16T00:57:05.209Z</updated><title type='text'>Inícios das actividades de Natal</title><content type='html'>&lt;span style="font-weight: bold;"&gt;- M Grão Vasco - Divulgação&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center; color: rgb(0, 102, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Museu Grão Vasco - Divulgação&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://teresatorga.no.sapo.pt/graovasco2.jpg" target="popUpWin" onclick="popUpWin(this.href,'standard',1024,768);return false;"&gt;&lt;img style="width: 346px; height: 290px;" alt="Coimbra" src="http://teresatorga.no.sapo.pt/graovasco2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(click on the image to enlarge)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-9153813028923692802?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/9153813028923692802/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=9153813028923692802&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9153813028923692802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9153813028923692802'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/11/inicios-das-actividades-de-natal.html' title='Inícios das actividades de Natal'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6389491402744308767</id><published>2009-11-16T00:40:00.005Z</published><updated>2009-11-16T00:58:51.165Z</updated><title type='text'>Prolongamento|| Arte, poder e religião, nos tempos medievais</title><content type='html'>&lt;span style="font-weight: bold;"&gt;- M Grão Vasco - Divulgação&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center; color: rgb(0, 102, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Museu Grão Vasco - Divulgação&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://teresatorga.no.sapo.pt/graovasco1.jpg" target="popUpWin" onclick="popUpWin(this.href,'standard',1024,768);return false;"&gt;&lt;img style="width: 346px; height: 290px;" alt="Coimbra" src="http://teresatorga.no.sapo.pt/graovasco1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(click on the image to enlarge)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6389491402744308767?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6389491402744308767/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6389491402744308767&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6389491402744308767'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6389491402744308767'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/11/prolongamento-arte-poder-e-religiao-nos.html' title='Prolongamento|| Arte, poder e religião, nos tempos medievais'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5067015941877752618</id><published>2009-11-11T12:56:00.004Z</published><updated>2009-11-16T01:29:50.738Z</updated><title type='text'>Colóquio "1759-2009. Os Jesuítas e Portugal (História e Cripto-História)"</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 450px; height: 583px;" src="http://ihauc.com/images/stories/jesuitas-verde-web.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 451px; height: 671px;" src="http://ihauc.com/images/stories/jesutas-programa-verde-web.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;O Instituto de História da Arte, em organização conjunta com o Centro de Estudos Arqueológicos das Universidades de Coimbra e Porto – CEAUCP – promove, a 17 de Novembro de 2009, a realização do Colóquio “1759-2009. Os Jesuítas e Portugal (História e Cripto-História)”.&lt;br /&gt;Decorridos 250 anos após a expulsão dos Jesuítas de Portugal, o debate em torno de um processo complexo e de contornos historiográficos nem sempre coincidentes continua a justificar a ambição de compreensão do peculiar percurso da milícia de Santo Inácio. De uma projecção ímpar lançada no século XVI até ao declínio da chama de fé, religiosidade e ciência que incendiou os vários continentes até ao século XVIII, os Jesuítas mantêm intacta uma aura que alimenta ainda todas as sondagens lançadas sobre um imaginário de poder, arrojo estético, dinamismo e derrota política.&lt;br /&gt;O Colóquio incidirá sobre o papel fundamental dos Jesuítas no contexto da capacidade de pressão política, da educação ou do desenvolvimento científico. Paralelamente, discutir-se-á a natureza específica das artes plásticas de matriz inaciana, no país ou nos territórios de dominação portuguesa. Em suma, e em resultado das consequências da expulsão, seguir-se-á o rasto dos vencidos até ao território italiano onde a projecção de um saber jesuítico se prolonga para além de 1759. Tal como acontece em Portugal, onde ainda hoje sobrevive a marca de uma identidade forte e determinante nas práticas de preservação patrimonial.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5067015941877752618?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5067015941877752618/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5067015941877752618&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5067015941877752618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5067015941877752618'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/11/coloquio-1759-2009-os-jesuitas-e.html' title='Colóquio &quot;1759-2009. Os Jesuítas e Portugal (História e Cripto-História)&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2861705459635209190</id><published>2009-10-27T01:04:00.002Z</published><updated>2009-10-27T01:08:37.849Z</updated><title type='text'>Últimos dias da Exposição|| Arte, Poder e Religião nos tempos medievais</title><content type='html'>&lt;div style="text-align: center; color: rgb(0, 102, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Museu Grão Vasco - Divulgação&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://teresatorga.no.sapo.pt/graovasco.jpg" target="popUpWin" onclick="popUpWin(this.href,'standard',1024,768);return false;"&gt;&lt;img style="width: 346px; height: 290px;" alt="Coimbra" src="http://teresatorga.no.sapo.pt/graovasco.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(click on the image to enlarge)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2861705459635209190?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2861705459635209190/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2861705459635209190&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2861705459635209190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2861705459635209190'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/ultimos-dias-da-exposicao-arte-poder-e.html' title='Últimos dias da Exposição|| Arte, Poder e Religião nos tempos medievais'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-435854880728816476</id><published>2009-10-26T13:10:00.002Z</published><updated>2009-10-26T13:32:08.261Z</updated><title type='text'>Visões Urbanas para a Alta de Coimbra</title><content type='html'>-Exposição e Ciclo de Debates, no Museu Nacional deMachado de Castro:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://teresatorga.no.sapo.pt/vurbanas.JPG" target="popUpWin" onclick="popUpWin(this.href,'standard',1024,768);return false;"&gt;&lt;img style="width: 402px; height: 337px;" alt="Coimbra" src="http://teresatorga.no.sapo.pt/vurbanas.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(click on the image to enlarge)&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Esta exposição pretende mostrar e debater diferentes hipóteses de transformação do tecido urbano da Alta de Coimbra, na área compreendida entre os jardins Botânico e da Sereia, nela inserindo a Alta Universitária e a Acrópole da Penitenciária de Coimbra.&lt;br /&gt;&lt;br /&gt;Museu Nacional Machado de Castro&lt;br /&gt;&lt;br /&gt;29-10-2009 a 30-11-2009&lt;br /&gt;3ª-Dom: 09h30-12h30 / 14h00-17h30&lt;br /&gt;Entrada: EUR 2,00&lt;br /&gt;Reservas: 239823727&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-435854880728816476?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/435854880728816476/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=435854880728816476&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/435854880728816476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/435854880728816476'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/visoes-urbanas-para-alta-de-coimbra.html' title='Visões Urbanas para a Alta de Coimbra'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8301605465940170467</id><published>2009-10-26T13:05:00.000Z</published><updated>2009-10-26T13:06:30.304Z</updated><title type='text'>Mostra Documental "Manuscritos de Bissaya Barreto"</title><content type='html'>&lt;div&gt;Caros Senhores/as&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;Encontra-se patente no Centro de Documentação Bissaya Barreto desde o dia 23 de Outubro até dia 13 de Novembro no seu horário de atendimento de segunda a sexta feira (14:00h-17:30h), a Mostra Documental "Manuscritos de Bissaya Barreto" composto por documentos, fotografias e agendas que pela primeira vez são expostas e que retratam a vida de Bissaya Barreto, do contexto histórico e social da época em que viveu (1886-1974) e da cidade de Coimbra.  &lt;/div&gt;  &lt;div&gt;&lt;br /&gt;Uma sugestão e um pretexto para conhecer também o centro de documentação Bissaya Barreto.&lt;/div&gt; &lt;div&gt;Entrada livre - Junto ao Quartel e ao Jardim Botânico de Coimbra. &lt;/div&gt;&lt;br /&gt;--&lt;br /&gt;_______&lt;br /&gt;Cristina Nogueira&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8301605465940170467?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8301605465940170467/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8301605465940170467&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8301605465940170467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8301605465940170467'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/mostra-documental-manuscritos-de.html' title='Mostra Documental &quot;Manuscritos de Bissaya Barreto&quot;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1269271561038954643</id><published>2009-10-19T13:17:00.002+01:00</published><updated>2009-10-19T13:22:15.859+01:00</updated><title type='text'>Explicação...</title><content type='html'>Desde já peço desculpa pelo o erro no cartaz do jantar - o autor escreveu república com acento no E - pelo que já foi contactado e logo que seja possível o cartaz será substituido.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1269271561038954643?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1269271561038954643/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1269271561038954643&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1269271561038954643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1269271561038954643'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/explicacao.html' title='Explicação...'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3131595150826786836</id><published>2009-10-18T22:07:00.004+01:00</published><updated>2009-10-18T22:10:49.094+01:00</updated><title type='text'>Jantar da Latada</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;img style="width: 451px; height: 627px;" src="http://teresatorga.no.sapo.pt/cartaz1.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3131595150826786836?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3131595150826786836/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3131595150826786836&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3131595150826786836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3131595150826786836'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/jantar-da-latada.html' title='Jantar da Latada'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1384333992242758498</id><published>2009-10-18T16:25:00.004+01:00</published><updated>2009-10-18T16:34:15.304+01:00</updated><title type='text'>Encontro com Artistas Contemporâneos 4ª edição</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 485px; height: 600px;" src="http://ihauc.com/images/stories/carrilho-da-gracafinal.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1384333992242758498?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1384333992242758498/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1384333992242758498&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1384333992242758498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1384333992242758498'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/encontro-com-artistas-contemporaneos-4.html' title='Encontro com Artistas Contemporâneos 4ª edição'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4013505122836761790</id><published>2009-10-18T14:39:00.003+01:00</published><updated>2009-10-18T14:43:12.017+01:00</updated><title type='text'>Vandalismo no Jardim da Sereia</title><content type='html'>&lt;table style="text-align: left; margin-left: 0px; margin-right: 0px;" class="content_table" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td width="99%"&gt;&lt;table class="content_table1" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td colspan="1" class="body_outer"&gt;&lt;div id="corpo_site"&gt;&lt;table class="contentpaneopen"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td colspan="2" valign="top"&gt;&lt;table border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;p class="title1"&gt;Prejuízos na Sereia&lt;br /&gt;chegam aos 30 mil euros&lt;/p&gt;&lt;p&gt;Autores de actos de vandalismo apanhados em flagrante pela PSP&lt;/p&gt; &lt;/td&gt;&lt;td&gt;&lt;img src="http://www.diariocoimbra.pt/images/stories/Noticias/sereias.jpg" alt="Image" title="Image" border="0" width="200" height="267" hspace="6" /&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;  &lt;p&gt;O Jardim da Sereia foi, mais uma vez, alvo de actos de vandalismo, desta vez na madrugada de ontem e com os autores a serem detidos pela PSP de Coimbra.&lt;br /&gt;Cinco pináculos foram literalmente partidos ao meio e deixados caídos no jardim, junto à cascata e perto da escadaria principal. Contas por alto, a destruição tem custos na ordem dos 30 mil euros, informou João Rebelo, vice-presidente da Câmara de Coimbra. Para o montante elevado contribui o facto de estar em causa uma valia patrimonial de um espaço classificado, para além dos trabalhos de reposição das estruturas.&lt;br /&gt;Não é aceitável que estas atitudes se repitam, observou João Rebelo, antes de divulgar que a Câmara de Coimbra «vai querer ser assistente» no consequente processo judicial. À indignação não é alheia a repetição da destruição gratuita - tanto na área agora afectada como em zonas mais interiores do jardim - nem o esforço da Câmara em obras de conservação e reabilitação dos espaços verdes, designadamente o da Sereia.&lt;br /&gt;Confrontado com a “exposição” da Sereia a este tipo de situações, João Rebelo admitiu que a segurança do jardim é uma questão que se pode discutir, mas rejeitou, como cidadão, que este tipo de espaços sejam vedados ao usufruto das pessoas.&lt;br /&gt;Também Mário Nunes, vereador da Cultura, mostrou indignação pelo atentado às estruturas «recentemente colocadas na Sereia». «Não podemos esquecer que aquele é um património classificado e que, portanto, é mais um crime de lesa património», lamentou Mário Nunes.&lt;br /&gt;Ao que o DC apurou, os três autores dos actos de destruição foram apanhados e detidos, no local, por agentes da polícia. Dois são estudantes universitários e o  outro é gestor profissional.&lt;br /&gt;Para a detenção contribuiu o testemunho de um agente da PSP à civil, que observou os estragos e chamou reforços.&lt;/p&gt;&lt;br /&gt;&lt;/td&gt;   &lt;/tr&gt;      &lt;tr&gt;     &lt;td colspan="2" class="modifydate" align="left"&gt;      ( In Diário de Coimbra, 2009-10-18 11:34:54 )     &lt;/td&gt;    &lt;/tr&gt;      &lt;/tbody&gt;&lt;/table&gt;   &lt;span class="article_seperator"&gt; &lt;/span&gt;              &lt;/div&gt;                  &lt;/td&gt;         &lt;/tr&gt;         &lt;/tbody&gt;&lt;/table&gt;                  &lt;table class="content_table1" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;         &lt;tbody&gt;&lt;tr&gt;          &lt;td&gt;             &lt;div class="moduletable_banner"&gt;      &lt;/div&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;/tbody&gt;&lt;/table&gt;         &lt;div id="footer"&gt;          &lt;!--&lt;div align="center"&gt;  &amp;copy; 2009 Diário de Coimbra&lt;/div&gt; &lt;div align="center"&gt;  &lt;a href="http://www.joomla.org"&gt;Joomla!&lt;/a&gt; is Free Software released under the GNU/GPL License.&lt;/div&gt; --&gt; &lt;script type="text/javascript" src="http://www.diariocoimbra.pt/mambots/content/reflectionjp/reflection.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;        &lt;/td&gt;        &lt;!-- id="right_shadow"--&gt;                        &lt;/tr&gt;       &lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4013505122836761790?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4013505122836761790/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4013505122836761790&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4013505122836761790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4013505122836761790'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/vandalismo-no-jardim-da-sereia.html' title='Vandalismo no Jardim da Sereia'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-6661070867205999281</id><published>2009-10-01T12:51:00.001+01:00</published><updated>2009-10-01T12:53:55.254+01:00</updated><title type='text'>Ciclo de Conferências - Centenário do Edifício Chiado</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;CICLO DE CONFERÊNCIAS&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;"Caminhos e Identidades da Modernidade: 1910, o Edifício Chiado em Coimbra"&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;22 e 23 Outubro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Museu Municipal Edifício Chiado&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;O Edifício Chiado, inaugurado em 1910, enquanto filial dos Grandes Armazéns do Chiado Lisboetas, foi, desde logo, um marco enquanto espaço comercial com características arquitectónicas peculiares e elementos decorativos inovadores. A alteração e evolução do local comercial para espaço museológico e as diferentes dinâmicas sociais inerentes a estas funções, fazem do edifício uma referência na evolução da história da Arquitectura e da Cidade.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;INSCRIÇÕES&lt;/span&gt;&lt;br /&gt;Rua Ferreira Borges, 85&lt;br /&gt;3000-180 Coimbra&lt;br /&gt;Telef. 239840754 // 239833771&lt;br /&gt;e-mail: chiado@cm-coimbra.ptEste endereço de e-mail está protegido contra spam bots, pelo que o JavaScript terá de estar activado para que possa visualizar o endereço de e-mail&lt;br /&gt;http://www.cm-coimbra.pt/&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ACESSO&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Geral | 25,00€&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0); font-weight: bold;"&gt;Estudante | 15,00€&lt;/span&gt;&lt;br /&gt;Funcionários CMC | gratuito&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Iniciativa integrada nas Comemorações do Centenário do Edifício Chiado [2009/2010]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Chiado Ciclo de Conferências &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-6661070867205999281?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/6661070867205999281/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=6661070867205999281&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6661070867205999281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/6661070867205999281'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/10/ciclo-de-conferencias-centenario-do.html' title='Ciclo de Conferências - Centenário do Edifício Chiado'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-158774940520172564</id><published>2009-09-28T12:08:00.002+01:00</published><updated>2009-09-28T12:10:45.047+01:00</updated><title type='text'>Localização do Restaurante do Jantar de Rentrée</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 459px; height: 370px;" src="http://teresatorga.no.sapo.pt/mapa.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-158774940520172564?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/158774940520172564/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=158774940520172564&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/158774940520172564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/158774940520172564'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/localizacao-do-restaurante-do-jantar-de.html' title='Localização do Restaurante do Jantar de Rentrée'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4532171168267955953</id><published>2009-09-24T22:04:00.001+01:00</published><updated>2009-09-24T22:04:52.059+01:00</updated><title type='text'>Centro de Documentação Bissaya Barreto</title><content type='html'>&lt;p&gt;Caros estudantes, &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;Por se achar de grande utilidade para a realização de trabalhos nas áreas de História, História da Arte, Turismo e Ciências Documentais gostaria de sugerir a visita ao Centro de Documentação Bissaya Barreto, em Coimbra aberto ao público recentemente das 14:00 às 17:30. &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;Existem várias possibilidades de temas para elaboração de trabalhos académicos. &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;a href="http://www.fbb.pt/galeria_historia.htm" target="_blank"&gt;http://www.fbb.pt/galeria_&lt;wbr&gt;historia.htm&lt;/a&gt;&lt;br /&gt;--&lt;br /&gt;&lt;/p&gt;  &lt;span style="font-family: 'Book Antiqua','serif'; color: rgb(0, 0, 0); font-size: 10pt;"&gt;Com os melhores cumprimentos&lt;br /&gt;&lt;br /&gt;Cristina Nogueira&lt;br /&gt;Documentalista&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4532171168267955953?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4532171168267955953/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4532171168267955953&amp;isPopup=true' title='3 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4532171168267955953'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4532171168267955953'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/centro-de-documentacao-bissaya-barreto.html' title='Centro de Documentação Bissaya Barreto'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5706613944527806192</id><published>2009-09-24T01:13:00.001+01:00</published><updated>2009-09-24T01:15:17.757+01:00</updated><title type='text'>Jantar de Curso - Rentrée</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 465px; height: 682px;" src="http://teresatorga.no.sapo.pt/j.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5706613944527806192?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5706613944527806192/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5706613944527806192&amp;isPopup=true' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5706613944527806192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5706613944527806192'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/jantar-de-curso-rentree.html' title='Jantar de Curso - Rentrée'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3910401997877204211</id><published>2009-09-23T18:05:00.001+01:00</published><updated>2009-09-23T18:05:55.932+01:00</updated><title type='text'>Exposição de Fotografia</title><content type='html'>Está patente até 20 de Outubro na Prisão Académica da Universidade de Coimbra uma exposição com fotografias da minha autoria designada ao tema "Recantos da Alta".&lt;br /&gt;&lt;br /&gt;Estão desde já convidados a aparecer.&lt;br /&gt;&lt;br /&gt;Aquele abraço,&lt;br /&gt;&lt;br /&gt;--&lt;br /&gt;Fausto Moreira&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3910401997877204211?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3910401997877204211/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3910401997877204211&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3910401997877204211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3910401997877204211'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/exposicao-de-fotografia.html' title='Exposição de Fotografia'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4310305525082586472</id><published>2009-09-23T18:03:00.000+01:00</published><updated>2009-09-23T18:04:18.369+01:00</updated><title type='text'>Jornadas Europeias do Património</title><content type='html'>&lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;Ex.mos(as) Senhores(as)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;O Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR) promove, anualmente, as Jornadas Europeias do Património que se celebram este ano nos dias &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;25, 26&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; e 27 de &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Setembro&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;, sob o tema &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;“Vi(R)ver o Património”&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:black;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;O Departamento de Cultura sugere uma programação que evidencia diversas vertentes do património cultural edificado, histórico, musical e religioso:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:black;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Dias 25 e 26 &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;Acesso gratuito a todos os Núcleos do Museu Municipal de Coimbra&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;EDIFÍCIO CHIADO&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; | Colecção Telo de Morais&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;TORRE DE ALMEDINA&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; | Núcleo da Cidade Muralhada&lt;br /&gt;Sexta: 10h00-18h00&lt;br /&gt;Sábado: 10h00-13h00 e 14h00-18h00&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;GALERIA DO TURISMO&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; | Colecção Louzã Henriques&lt;br /&gt;Sexta e Sábado: 10h00-13h00 e 14h00-18h00&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Dia 25 | sexta-feira &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;10h00&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;VISITA GUIADA &lt;i&gt;&lt;span style="font-style: italic;"&gt;Mosteiro de Santa Maria de Celas&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Mosteiro de Santa Maria de Celas&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Público-alvo: geral&lt;br /&gt;Limite máximo de participantes: 35&lt;br /&gt;** Necessário inscrição prévia: telef. 239702630 (Casa da Cultura)&lt;br /&gt;Acesso gratuito&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;21h45&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;ÓPERA “Bastien e Bastienne”, de Wolfgang Amadeus Mozart [em português]&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Convento de S. Francisco&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;&lt;br /&gt;Orquestra e Coros:&lt;br /&gt;Grupo Vocal Ad Libitum e Coro Infantil Cherubini Ad Libitum&lt;br /&gt;Direcção Geral e Encenação | Júlio Sousa Gomes&lt;br /&gt;Direcção Musical | Isilda Margarida&lt;br /&gt;Libreto original | F. W. Weisjern e J. H. Müller &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:black;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Um projecto: Ad Libitum, Companhia das Artes / Teatro dos Castelos, Cooperativa de Cultura.&lt;br /&gt;Duração: 50 minutos&lt;br /&gt;INGRESSOS: 3,00€ (dos 6 aos 11 anos); 10,00€ (a partir dos 12 anos)&lt;br /&gt;Aquisição de bilhetes no local/dia dos espectáculos (a partir dos 20h30)&lt;br /&gt;Informações: telem. 931150743&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:black;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Dia 26 | sábado &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;10h00&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;VISITA GUIADA &lt;i&gt;&lt;span style="font-style: italic;"&gt;Coimbra um outro olhar&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Alta de Coimbra&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;&lt;br /&gt;Público-alvo: geral&lt;br /&gt;Limite máximo de participantes: 35&lt;br /&gt;** Necessário inscrição prévia: telef. 239702630 (Casa da Cultura)&lt;br /&gt;Acesso gratuito&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;15h00&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;PERCURSO COMENTADO Da &lt;i&gt;&lt;span style="font-style: italic;"&gt;Porta Nova da muralha à Catedral de Santa Maria – episódios da história de Coimbra&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Percurso desde o Colégio de Santo Agostinho ao Largo da Sé Velha, área de uma grande riqueza patrimonial, e a que se podem associar episódios interessantes relacionados, a título de exemplo, com a construção do colégio, com a fixação da família do italiano Filipo Palastrelli (que deu origem aos portugueses Perestrelos), com a residência de Luís Vaz de Camões…&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Público-alvo: geral&lt;br /&gt;Limite máximo de participantes: 35&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;** Necessário inscrição prévia: telef. 239833771 ou telef. 239840754&lt;br /&gt;Acesso gratuito&lt;span style="color:black;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;21h00 – 23h00&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;HORÁRIO ALARGADO&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;MUSEU MUNICIPAL – Torre de Almedina | Núcleo da Cidade Muralhada &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Centro Interpretativo da Cidade Muralhada&lt;br /&gt;Exposição “Cenários Urbanos – Coimbra, de José Luís Madeira&lt;br /&gt;Acesso gratuito&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;21h30&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Pátio do Castilho&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;Canção Futrica&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; – Grupo Folclórico e Etnográfico do Brinca – Eiras&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;Fado de Coimbra&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt; – Grupo Guitarras de Coimbra, da Associação Cultural Coimbra Menina e Moça &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:#cc0099;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153);"&gt;21h45&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;color:#cc0099;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: rgb(204, 0, 153); font-weight: bold;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;Convento de S. Francisco&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;b&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;Ópera “Bastien e Bastienne”, de Wolfgang Amadeus Mozart [em português]&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Comic Sans MS;color:black;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Orquestra e Coros:&lt;br /&gt;Grupo Vocal Ad Libitum e Coro Infantil Cherubini Ad Libitum&lt;br /&gt;Direcção Geral e Encenação | Júlio Sousa Gomes&lt;br /&gt;Direcção Musical | Isilda Margarida&lt;br /&gt;Libreto original | F. W. Weisjern e J. H. Müller (Versão última de Júlio Sousa Gomes, a partir de 1ª versão de Madalena Leite Castro e Fernanda Correia; apoio de Magda Magano)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family:Comic Sans MS;font-size:100%;color:black;"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Comic Sans MS&amp;quot;; color: black;"&gt;Um projecto: Ad Libitum, Companhia das Artes / Teatro dos Castelos, Cooperativa de Cultura.&lt;br /&gt;Duração: 50 minutos&lt;br /&gt;INGRESSOS: 3,00€ (dos 6 aos 11 anos); 10,00€ (a partir dos 12 anos)&lt;br /&gt;Aquisição de bilhetes no local/dia dos espectáculos (a partir dos 20h30)&lt;br /&gt;Informações: telem. 931150743&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-family:Arial;font-size:78%;color:black;"&gt;&lt;span style="font-size: 7.5pt; font-family: Arial; color: black;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:Comic Sans MS;"&gt;&lt;span style="font-family: &amp;quot;Comic Sans MS&amp;quot;;"&gt;A Divisão de Acção Cultural&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4310305525082586472?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4310305525082586472/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4310305525082586472&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4310305525082586472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4310305525082586472'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/jornadas-europeias-do-patrimonio.html' title='Jornadas Europeias do Património'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-871981588533173567</id><published>2009-09-23T17:48:00.003+01:00</published><updated>2009-09-23T17:53:00.419+01:00</updated><title type='text'>Recepção aos alunos de História da Arte,  1º e 2º Ciclo.</title><content type='html'>Exmºs Senhores(as)&lt;br /&gt;&lt;br /&gt;Gostariamos de contar com a vossa presença na Recepção aos alunos de História da Arte, 1º e 2º Ciclo, &lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;6ª Feira, dia 25 de Setembro, pelas 11 Horas na Sala TP1&lt;/span&gt;, desta Faculdade.&lt;br /&gt;Agradecemos que partilhem esta informação com todos os colegas.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-871981588533173567?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/871981588533173567/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=871981588533173567&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/871981588533173567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/871981588533173567'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/recepcao-aos-alunos-de-historia-da-arte_23.html' title='Recepção aos alunos de História da Arte,  1º e 2º Ciclo.'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3279148587251823740</id><published>2009-09-10T14:18:00.001+01:00</published><updated>2009-09-10T14:21:25.829+01:00</updated><title type='text'>AS ARTES DECORATIVAS NA ROTA DOS OCEANOS - II Curso Livre de Artes Decorativas</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Programa&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;O Atlântico&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;24 Out. | Conceitos e terminologia&lt;br /&gt;&lt;br /&gt;31 Out. | África na arte em Portugal&lt;br /&gt;&lt;br /&gt;07 Nov. | África Atlântica: marfins e metais&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;O Índico&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;14 Nov. | A costa africana do Índico&lt;br /&gt;&lt;br /&gt;21 Nov. | O Ceilão&lt;br /&gt;&lt;br /&gt;28 Nov. | A arte safávida&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;O Índico e o Mar da China&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;05 Dez. | A costa do Malabar&lt;br /&gt;&lt;br /&gt;12 Dez. | O Império do Meio e Macau&lt;br /&gt;&lt;br /&gt;19 Dez. | O Japão e a arte namban&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;O Pacífico&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;09 Jan. | A rota de Manila&lt;br /&gt;&lt;br /&gt;16 Jan. | Os vice-reinados na América Espanhola&lt;br /&gt;&lt;br /&gt;23 Jan. | De volta ao Atlântico: o Brasil&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Docentes&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Alexandra Curvelo | Técnica superior do Instituto dos Museus e da Conservação e Professora Auxiliar Convidada do Departamento de História da Arte da FCSH/UNL. Investigadora do CHAM, é doutorada em História da Arte pela FCSH/UNL com a tese Nuvens douradas e paisagens habitadas. A arte nanban e a sua difusão na China e Nova Espanha.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Carla Alferes Pinto | Mestre em História da Arte pela FCSH/UNL com a tese O Mecenato da Infanta Dona Maria de Portugal (1521-1577). Desenvolve a sua actividade no domínio das relações artísticas entre Portugal e a Ásia, tendo exercido funções de editora da Fundação Oriente. É investigadora do CHAM.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Jessica Hallett | Doutorada em arte islâmica pela Universidade de Oxford. A sua tese foi o guião da exposição, Iraq and China, ceramics, trade and innovation (Arthur M. Sackler Gallery da Smithsonian). Foi co-comissária das exposições, Culturas do Índico (1998) e O Tapete Oriental em Portugal (2007), ambas no Museu Nacional de Arte Antiga. Autora de inúmeras publicações, é investigadora do CHAM.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Nuno Senos | Doutorado pelo Institute of Fine Arts, de Nova Iorque, com a tese Franciscan art and architecture in colonial Brazil, 1650-1800. Tem participado em vários colóquios nacionais e internacionais, e publicado artigos, ensaios, entradas de catálogo, críticas e recensões sobre arquitectura e arte portuguesa e brasileira. Leccionou nos Estados Unidos onde também colaborou na organização de diversas exposições. É actualmente Director Residente do programa do Council on International Educational Exchange da UNL e investigador do CHAM.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Preços&lt;br /&gt;                        Geral      UCP&lt;br /&gt;4 Módulos   300 €      240 €       Inclui Diploma de Curso&lt;br /&gt;1 Módulo     100 €        80 €       Inclui Certificado de Participação&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Inscrições&lt;br /&gt;&lt;br /&gt;Os interessados deverão inscrever-se no secretariado da Escola das Artes ou enviar&lt;br /&gt;a Ficha de Inscrição, até 21 de Outubro de 2009, por uma das seguintes vias:&lt;br /&gt;      &lt;br /&gt;      Correio: Universidade Católica Portuguesa | Escola das Artes&lt;br /&gt;                  A/C Conceição Oliveira - Curso Livre&lt;br /&gt;                  Edifício da Biblioteca, 5º piso&lt;br /&gt;                  Palma de Cima, 1649-023 Lisboa&lt;br /&gt;&lt;br /&gt;        Email:      artes@ea.lisboa.ucp.pt&lt;br /&gt;&lt;br /&gt;* Aceitam-se pré-inscrições por email, que serão validadas depois de recebido o respectivo pagamento.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pagamento        &lt;br /&gt;&lt;br /&gt;         Numerário&lt;br /&gt;         Cheque: à ordem de Universidade Católica Portuguesa&lt;br /&gt;       Transferência bancária: NIB - 0033 0000 00001215217 05&lt;br /&gt;&lt;br /&gt;** A modalidade de pagamento por transferência bancária implica o envio (email ou correio) de uma cópia do respectivo talão comprovativo.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escola das Artes | Universidade Católica Portuguesa24 Out. 2009 a 23 Jan. 2010 | Sábados, 10:00h-13:00h&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;A extensão de Lisboa da Escola das Artes da Universidade Católica&lt;br /&gt;Portuguesa realiza, a partir do próximo mês de Outubro de 2009, o II Curso&lt;br /&gt;Livre de Artes Decorativas Portuguesas, com o tema As Artes Decorativas na&lt;br /&gt;Rota dos Oceanos. Centrando-se na especificidade da experiência colonial&lt;br /&gt;portuguesa, visa o estudo das artes decorativas nos territórios de&lt;br /&gt;além-mar aquando do processo de expansão europeia.&lt;br /&gt;Através das rotas marítimas, o presente curso procura despertar a atenção&lt;br /&gt;para questões vivenciais e para as circunstâncias de produção destes&lt;br /&gt;objectos, através da análise de aspectos como a proximidade e&lt;br /&gt;originalidade face aos modelos ocidentais, o hibridismo artístico, as&lt;br /&gt;múltiplas interligações e influências, ou ainda a importância da encomenda&lt;br /&gt;e da viagem neste tipo de produção artística.&lt;br /&gt;&lt;br /&gt;Programa e outras informações em: &lt;a href="http://www.ea.lisboa.ucp.pt/" target="_blank"&gt;www.ea.lisboa.ucp.pt&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Contactos&lt;br /&gt;Escola das Artes (Ext. Lisboa)&lt;br /&gt;Edífício da Biblioteca, 5ºpiso&lt;br /&gt;Palma de Cima,1639-023 Lisboa&lt;br /&gt;Tlf. | +351 217214018&lt;br /&gt;Fax. | +351 217214287&lt;br /&gt;http | &lt;a href="http://www.ea.lisboa.ucp.pt/" target="_blank"&gt;www.ea.lisboa.ucp.pt&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3279148587251823740?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3279148587251823740/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3279148587251823740&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3279148587251823740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3279148587251823740'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/as-artes-decorativas-na-rota-dos.html' title='AS ARTES DECORATIVAS NA ROTA DOS OCEANOS - II Curso Livre de Artes Decorativas'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-895164466284880975</id><published>2009-09-09T22:51:00.002+01:00</published><updated>2009-09-09T22:55:29.364+01:00</updated><title type='text'>As "catacumbas" de Coimbra</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Coimbra Subterrânea*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://docs.google.com/gview?a=v&amp;amp;pid=gmail&amp;amp;attid=0.1&amp;amp;thid=123a0c3f8fe56bb5&amp;amp;mt=application%2Fpdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Diário de Coimbra*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="text-decoration: underline;"&gt;(&lt;/span&gt;&lt;a style="color: rgb(51, 51, 255);" href="http://www.blogger.com/%20http://docs.google.com/gview?a=v&amp;amp;pid=gmail&amp;amp;attid=0.2&amp;amp;thid=123a0c3f8fe56bb5&amp;amp;mt=application%2Fpdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-895164466284880975?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/895164466284880975/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=895164466284880975&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/895164466284880975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/895164466284880975'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/as-catacumbas-de-coimbra.html' title='As &quot;catacumbas&quot; de Coimbra'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2109232489556545259</id><published>2009-09-05T14:01:00.000+01:00</published><updated>2009-09-05T14:05:24.215+01:00</updated><title type='text'>Morreu o pintor João Vieira</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img src="http://www.arteportuguesa.com/arteportuguesa/Obra%20AA%20joao%20vieira%203.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="text-align: justify;"&gt;Morreu este sábado o pintor João Vieira. O artista estava internado no Hospital de Santa Marta, em Lisboa. &lt;/p&gt;&lt;p style="text-align: justify;"&gt;Segundo  disse um amigo da família à agência Lusa, João Vieira não resistiu a complicações surgidas após uma operação ao coração na sexta-feira. &lt;/p&gt;&lt;div style="text-align: justify;"&gt;Nascido em 1934 em Vidago, Trás-os-Montes, João Vieira foi um dos fundadores, juntamente com René Bertholo,                            Lourdes Castro, Gonçalo Duarte, José Escada, Christo e Jan Voss, do grupo &lt;span style="font-size:180%;"&gt;KWY.&lt;/span&gt;&lt;/div&gt;&lt;p&gt;                         &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2109232489556545259?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2109232489556545259/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2109232489556545259&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2109232489556545259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2109232489556545259'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/09/morreu-o-pintor-joao-vieira.html' title='Morreu o pintor João Vieira'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-7004792581174968018</id><published>2009-07-12T19:51:00.001+01:00</published><updated>2009-07-12T19:52:33.457+01:00</updated><title type='text'>Pedro Dias ganha prémio da FUNDAÇÃO GULBENKIAN</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;img src="http://ihauc.com/images/stories/arte_portuguesa_no_mundo.jpg" alt="arte_portuguesa_no_mundo.jpg" title="arte_portuguesa_no_mundo.jpg" style="margin: 5px; float: left;" width="94" height="141" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;O prémio da Fundação Calouste Gulbenkian na área da História da Presença de Portugal no Mundo foi atribuído ao Prof. Doutor Pedro Dias pela sua obra mais recente, intitulada «Arte de Portugal no Mundo», 15 vols., Lisboa, Editor Público - Comunicação Social, 2008-2009.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-7004792581174968018?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/7004792581174968018/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=7004792581174968018&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7004792581174968018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7004792581174968018'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/07/pedro-dias-ganha-premio-da-fundacao.html' title='Pedro Dias ganha prémio da FUNDAÇÃO GULBENKIAN'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8789713914189594222</id><published>2009-07-08T15:25:00.001+01:00</published><updated>2009-07-08T15:30:19.474+01:00</updated><title type='text'>Do Ritual ao Quotidiano. Cerâmica Chinesa da colecção Francisca Capelo</title><content type='html'>&lt;div style="text-align: justify;" id="ctl00_ContentPlaceHolder1_ContentDetail1_contentHeader" class="contentLead"&gt;&lt;div style="text-align: center;"&gt;     &lt;/div&gt;&lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImage" class="contentImage"&gt;&lt;div style="text-align: center;"&gt;                &lt;a linkindex="175" href="http://www.ipmuseus.pt/pt-PT/iniciativas/exposicoes/exp_temp_lisb_tejo/ImageDetail.aspx?id=1949" id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImageLink"&gt;         &lt;img src="http://www.ipmuseus.pt/Data/ContentImages/2.JPG" id="ctl00_ContentPlaceHolder1_ContentDetail1_imageContent" title="Do Ritual ao Quotidiano II" alt="Do Ritual ao Quotidiano II" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImageAdditionalInformation" class="contentImageAdditionalInformation"&gt;&lt;div style="text-align: center;"&gt;                           &lt;a linkindex="176" href="http://www.ipmuseus.pt/pt-PT/iniciativas/exposicoes/exp_temp_lisb_tejo/ImageDetail.aspx?id=1949" id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImageAdditionalInformationLink"&gt;             &lt;span class="contentImageAdditionalInformationAuxItem"&gt;&lt;/span&gt; &lt;span class="contentImageAdditionalInformationText"&gt;click to enlarge&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;a linkindex="176" href="http://www.ipmuseus.pt/pt-PT/iniciativas/exposicoes/exp_temp_lisb_tejo/ImageDetail.aspx?id=1949" id="ctl00_ContentPlaceHolder1_ContentDetail1_contentImageAdditionalInformationLink"&gt;         &lt;/a&gt;                       &lt;/div&gt; &lt;/div&gt;                       &lt;br /&gt;&lt;br /&gt;Dia &lt;span class="bold"&gt;9 de Julho &lt;/span&gt;às &lt;span class="bold"&gt;19h00 &lt;/span&gt;inauguram no Museu Nacional do Azulejo duas exposições com peças cerâmicas de particular qualidade.&lt;br /&gt;&lt;span class="bold"&gt;- "Do Ritual ao Quotidiano - Cerâmica Chinesa da Colecção Francisco Capelo"&lt;br /&gt;- "Simetrias Secretas. Margalida Escales"&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;A exposição &lt;span class="bold"&gt;"Do Ritual ao Quotidiano" &lt;/span&gt;permite, através de objectos cerâmicos de referência, descobrir um tempo da cultura da China, do século II antes de Cristo até ao século XIII da nossa era, e o núcleo &lt;span class="bold"&gt;"Simetrias Secretas"&lt;/span&gt;, da escultora Margalida Escales, reúne um conjunto de obras seleccionadas entre os seus trabalhos dos últimos três anos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;span class="bold"&gt;"Do Ritual ao Quotidiano - Cerâmica Chinesa da Colecção Francisco Capelo"&lt;/span&gt;&lt;br /&gt;&lt;span class="bold"&gt; &lt;/span&gt;As peças reunidas ilustram a evolução e a alteração da função da cerâmica na China, a passagem do seu uso nos rituais funerários à sua utilização no quotidiano, da terracota à cobiçada porcelana, cujo segredo apenas no século XVIII seria descoberto pela Europa.&lt;br /&gt;&lt;br /&gt;Trata-se de um riquíssimo universo de formas, vidrados e funções, que em muito transcende visões redutoras, confinando a cerâmica chinesa às superfícies brancas e finas, decoradas a azul e com brasões.&lt;br /&gt;Esta viagem no tempo, a um mundo que existiu antes do primado do azul-cobalto, é ainda atenta à importância do comércio, das trocas de ideias e do Budismo, em particular entre a China e outras culturas da Ásia, nomeadamente a Índia, a Ásia Central e o Irão.&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://www.ipmuseus.pt/Data/ContentImages/Iniciativas/Exposicoes/Lisboa/MNAz/Do%20Ritual%20Quotidiano/80.JPG" /&gt;                    &lt;img alt="Do Ritual ao Quotidiano" src="http://www.ipmuseus.pt/Data/ContentImages/Iniciativas/Exposicoes/Lisboa/MNAz/Do%20Ritual%20Quotidiano/1.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;A exposição Do Ritual ao Quotidiano é também a oportunidade para o lançamento do livro Formes of Pleasure, chinese ceramics from burial to daily life da eminente sinóloga Regina Krahl, responsável, entre outros, pelo inventário de uma das maiores colecções de Cerâmica Chinesa no mundo, a do Topkapi de Istambul.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="bold"&gt;"Simetrias Secreta, Margalida Escales"&lt;/span&gt;&lt;br /&gt;&lt;span class="bold"&gt; &lt;/span&gt;A obra cerâmica de Margalida Escales, feita de pasta refractária, no seu atelier em Pórtol, Maiorca, evoca culturas arcaicas cuja memória a História esqueceu.&lt;br /&gt;No entanto, na proposta que a artista agora apresenta no Museu Nacional do Azulejo podemos intuir um confronto civilizacional, materializando-se em objectos intemporais, simultaneamente arqueológicos e contemporâneos.&lt;br /&gt;&lt;br /&gt;&lt;img alt="Simetrias Secretas" src="http://www.ipmuseus.pt/Data/ContentImages/Iniciativas/Exposicoes/Lisboa/MNAz/Simetrias%20Secretas/imag%20escales11.JPG" /&gt;         &lt;img alt="Simetrias Secretas" src="http://www.ipmuseus.pt/Data/ContentImages/Iniciativas/Exposicoes/Lisboa/MNAz/Simetrias%20Secretas/imag%20escales2.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;Esta exposição é comissariada por Marta Sierra, com coordenação de Art in Project, o patrocínio do Institut d’Estudis Baleàrics, da Lusitânia, Companhia de Seguros, e com a colaboração do Institut Ramon LLull e da Caja Duero.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8789713914189594222?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8789713914189594222/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8789713914189594222&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8789713914189594222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8789713914189594222'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/07/do-ritual-ao-quotidiano-ceramica_08.html' title='Do Ritual ao Quotidiano. Cerâmica Chinesa da colecção Francisca Capelo'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1628989752046241679</id><published>2009-06-26T10:45:00.002+01:00</published><updated>2009-06-26T10:50:22.723+01:00</updated><title type='text'>Inauguração CAV, sábado 27 de Junho, 22h</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(126, 126, 126);"&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;b&gt;&lt;i&gt;JOÃO LUÍS CARRILHO DA GRAÇA&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial Black;"&gt;&lt;b&gt;&lt;i&gt;Paisagem&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(126, 126, 126);"&gt;PEDRO CALAPEZ&lt;br /&gt;&lt;/span&gt;Notas sobre um problema de método&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(126, 126, 126);"&gt;RA DI MARTINO&lt;br /&gt;&lt;/span&gt;The night walker e outras obras&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial Rounded MT Bold;"&gt;..............................&lt;wbr&gt;..............................&lt;wbr&gt;.......&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial Rounded MT Bold;font-size:130%;"&gt;&lt;br /&gt;&lt;span style="color: rgb(128, 128, 128);"&gt;&lt;b&gt;Inauguração - 27 de Junho, 22h00&lt;br /&gt;&lt;i&gt;Opening&lt;/i&gt; - &lt;i&gt;June 27th, 10 pm&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;Terça- Feira a Domingo das 14:00 às 19:00&lt;br /&gt;&lt;i&gt;Tuesday to Sunday 2 pm to 7 pm&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;Entrada Gratuita&lt;br /&gt;&lt;i&gt;Free Entrance&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;..............&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:Arial;font-size:130%;"&gt;................&lt;wbr&gt;..............................&lt;wbr&gt;...............&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(127, 127, 127);"&gt;&lt;b&gt;centro de artes visuais&lt;br /&gt;Colégio das Artes (Pátio da Inquisição, 10)&lt;br /&gt;Apartado 6026&lt;br /&gt;3000-221 Coimbra&lt;br /&gt;Portugal&lt;br /&gt;T. +351 239 836 930&lt;br /&gt;F. +351 239 820 154&lt;br /&gt;E. &lt;u&gt;&lt;a href="mailto:catarinaportelinha@cav.net4b.pt" target="_blank"&gt;catarinaportelinha@cav.net4b.&lt;wbr&gt;pt&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 409px; height: 399px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Imagens/CAV.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1628989752046241679?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1628989752046241679/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1628989752046241679&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1628989752046241679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1628989752046241679'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/inauguracao-cav-sabado-27-de-junho-22h.html' title='Inauguração CAV, sábado 27 de Junho, 22h'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Imagens/th_CAV.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1126988892335524266</id><published>2009-06-22T23:59:00.000+01:00</published><updated>2009-06-23T00:00:56.061+01:00</updated><title type='text'>PERITAGEM DE ARTE | Pós-Graduação | Escola das Artes - UCP</title><content type='html'>&lt;div style="text-align: justify;"&gt;A extensão de Lisboa da Escola das Artes da Universidade Católica&lt;br /&gt;Portuguesa inicia, no próximo mês de Outubro de 2009, um novo curso de&lt;br /&gt;pós-graduação em Peritagem de Arte. Idealizado desde a perspectiva do&lt;br /&gt;especialista em arte, e não do académico historiador, oferece um programa&lt;br /&gt;baseado na aplicação de metodologias próprias de análise e identificação,&lt;br /&gt;capazes de desenvolver procedimentos adequados de avaliação, catalogação,&lt;br /&gt;atribuições e datações.&lt;br /&gt;Focando-se nos domínios das Artes Plásticas e das Artes Decorativas, a sua&lt;br /&gt;abordagem, orientada para a actual realidade do mercado e das colecções&lt;br /&gt;nacionais, é suportada por disciplinas de carácter prático, destinadas ao&lt;br /&gt;reconhecimento de técnicas, identificação de materiais, aplicação de&lt;br /&gt;práticas preventivas de conservação e terminologia precisa.&lt;br /&gt;Beneficiando da vasta experiência profissional do seu corpo docente, o&lt;br /&gt;amplo espectro com que se apresenta visa, assim, preparar profissionais&lt;br /&gt;qualificados, capazes de lidar com as diversas aplicações da Peritagem de&lt;br /&gt;Arte, nomeadamente nos campos da assessoria, consultadoria, avaliação,&lt;br /&gt;identificação, inventário e catalogação.&lt;br /&gt;Curso que decorrerá em dois semestres lectivos, de acordo com os&lt;br /&gt;interesses e necessidades de cada participante, poderá ser frequentado&lt;br /&gt;modularmente ou em disciplinas isoladas.&lt;br /&gt;&lt;br /&gt;I. Pintura e Escultura (Iconografia, Pintura Antiga, Pintura&lt;br /&gt;Contemporânea, Escultura Antiga, Escultura Contemporânea)&lt;br /&gt;&lt;br /&gt;II. Técnicas e Conservação (Técnicas de Pintura, Técnicas de Escultura,&lt;br /&gt;Métodos Oficinais e Técnicas Decorativas, Fotografia e Métodos Científicos&lt;br /&gt;de Análise, Restauro e Conservação Preventiva)&lt;br /&gt;&lt;br /&gt;III. Artes Decorativas (Mobiliário, Ourivesaria, Porcelana, Marfins, Têxteis)&lt;br /&gt;&lt;br /&gt;IV. Peritagem e Identificação (Peritagem, Avaliação e Mercado, Réplicas,&lt;br /&gt;Falsificações e Reprodução de Originais, Identificação de Materiais,&lt;br /&gt;Inventário e Normas de Catalogação, Seminários de Peritagem)&lt;br /&gt;&lt;br /&gt;Mais informações podem ser consultadas em: www.ea.lisboa.ucp.pt&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Escola das Artes (Ext. Lisboa)&lt;br /&gt;Edífício da Biblioteca, 5ºpiso&lt;br /&gt;Palma de Cima,1639-023 Lisboa&lt;br /&gt;Tlf. | +351 217214018&lt;br /&gt;Fax. | +351 217214287&lt;br /&gt;http | www.ea.lisboa.ucp.pt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1126988892335524266?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1126988892335524266/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1126988892335524266&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1126988892335524266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1126988892335524266'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/peritagem-de-arte-pos-graduacao-escola.html' title='PERITAGEM DE ARTE | Pós-Graduação | Escola das Artes - UCP'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-541726867622350133</id><published>2009-06-19T19:37:00.001+01:00</published><updated>2009-06-19T19:48:21.706+01:00</updated><title type='text'>Comemorações do Tricentenário do Convento do Louriçal</title><content type='html'>Exmo(a) Senhor (a)&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;O Convento do Louriçal comemora 300  anos de fundação.&lt;br /&gt;Sendo o único convento de Clarissas do século XVIII que,  em Portugal, se mantém activo na vivência do carisma para que foi construido,  queremos dar a conhecer a sua história.&lt;br /&gt;Por este motivo vão decorrer, no  Louriçal, nos dias 1 a 4 de Julho umas Jornadas Culturais, organizadas pela  Comissão Executiva das comemorações do tricentenário.&lt;br /&gt;As Jornadas incluem,  além de conferências, visitas a Arquivos e ao Museu Nacional Machado de Castro,  em Coimbra.&lt;br /&gt;Esperando que  esta iniciativa seja do  interesse   de V. Ex.ia agradecemos a máxima divulgação.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Com respeitosos  cumprimentos&lt;br /&gt;Ir. Fatima Miranda&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Cartaz*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://docs.google.com/gview?a=v&amp;amp;pid=gmail&amp;amp;attid=0.2&amp;amp;thid=121f7bcb4177be36&amp;amp;mt=application%2Fpdf&amp;amp;pli=1" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Jornadas do Convento do Louriçal*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Inscrição&lt;br /&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://docs.google.com/gview?a=v&amp;amp;pid=gmail&amp;amp;attid=0.1&amp;amp;thid=121f7bcb4177be36&amp;amp;mt=application%2Fpdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-541726867622350133?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/541726867622350133/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=541726867622350133&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/541726867622350133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/541726867622350133'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/comemoracoes-do.html' title='Comemorações do Tricentenário do Convento do Louriçal'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5320814105682693594</id><published>2009-06-16T10:06:00.003+01:00</published><updated>2009-06-16T10:10:42.791+01:00</updated><title type='text'>Estágio Profissional</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A Associação Terras Quentes,  associação de defesa do património, oferece estágio profissional com duração de  um ano a pessoa formada em História da Arte para realização de inventário  artistico no concelho de Torre de Moncorvo. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; Se conhecerem alguém que  esteja disponível é favor enviar CV. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; Preferência por pessoas do sexo  masculino.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; Com os melhores cumprimentos,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;    Fátima Santos&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5320814105682693594?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5320814105682693594/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5320814105682693594&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5320814105682693594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5320814105682693594'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/estagio-profissional.html' title='Estágio Profissional'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4056704811604696205</id><published>2009-06-14T19:58:00.004+01:00</published><updated>2009-06-15T15:39:36.707+01:00</updated><title type='text'>Activar a conta de e-mail e o acesso à rede wireless da UC</title><content type='html'>&lt;img src="http://teresinhatorga3.no.sapo.pt/activar1.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresinhatorga3.no.sapo.pt/activar2.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresinhatorga3.no.sapo.pt/activar3.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://teresinhatorga3.no.sapo.pt/activar4.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 412px; height: 304px;" src="http://teresinhatorga3.no.sapo.pt/activar5.JPG" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4056704811604696205?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4056704811604696205/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4056704811604696205&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4056704811604696205'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4056704811604696205'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/activar-conta-de-emal-e-de-acesso-rede.html' title='Activar a conta de e-mail e o acesso à rede wireless da UC'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5719260439136142277</id><published>2009-06-14T19:37:00.002+01:00</published><updated>2009-06-14T19:44:05.328+01:00</updated><title type='text'>Inquérito - Obrigatório!!!</title><content type='html'>&lt;img style="width: 445px; height: 237px;" src="http://teresinhatorga3.no.sapo.pt/inq1.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 445px; height: 237px;" src="http://teresinhatorga3.no.sapo.pt/inq2.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 467px; height: 372px;" src="http://teresinhatorga3.no.sapo.pt/inq4.JPG" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5719260439136142277?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5719260439136142277/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5719260439136142277&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5719260439136142277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5719260439136142277'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/06/inquerito-obrigatorio.html' title='Inquérito - Obrigatório!!!'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-767689490862249728</id><published>2009-05-25T23:38:00.003+01:00</published><updated>2009-05-25T23:44:44.103+01:00</updated><title type='text'>Jantar de Curso - Encerramento do Ano Lectivo</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 51, 255);"&gt;Inscrições na Sala de Leitura do IHA &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;img style="width: 481px; height: 679px;" src="http://teresinhatorga3.no.sapo.pt/3.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-767689490862249728?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/767689490862249728/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=767689490862249728&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/767689490862249728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/767689490862249728'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/05/jantar-de-curso-encerramento-do-ano.html' title='Jantar de Curso - Encerramento do Ano Lectivo'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8732508310191955206</id><published>2009-05-25T22:08:00.001+01:00</published><updated>2009-05-25T22:10:39.582+01:00</updated><title type='text'>Colecção Arte Portuguesa</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 472px; height: 631px;" src="http://dn.sapo.pt/storage/ng1148410.jpg?type=big&amp;amp;pos=0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span id="ctl00_ctl00_bcrtop_topcontent_ThisContent"&gt;&lt;p class="artigo-intro" id="NewsSummary"&gt;   Passe a ter uma visão abrangente do nosso património artístico com a colecção Arte Portuguesa da Pré-História ao Século XX.&lt;/p&gt;&lt;p&gt;Com mais de 1600 imagens a cores, em 20 volumes de capa dura e grande qualidade gráfica, conheça as principais obras portuguesas, da pintura á arquitectura, da escultura à fotografia, apresentadas pelos mais conceituados Historiadores de Arte do nosso País.&lt;/p&gt;&lt;p&gt;A colecção Arte Portuguesa da Pré-História ao Século XX é indispensável para que todos os portugueses conheçam o melhor da sua História.&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8732508310191955206?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8732508310191955206/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8732508310191955206&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8732508310191955206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8732508310191955206'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/05/coleccao-arte-portuguesa.html' title='Colecção Arte Portuguesa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-5156823441042485449</id><published>2009-05-19T22:25:00.004+01:00</published><updated>2009-05-19T22:41:34.277+01:00</updated><title type='text'>Combates pela História ... da Arte</title><content type='html'>Caros  Colegas e Amigos,&lt;br /&gt;&lt;br /&gt;&lt;div&gt; &lt;/div&gt; &lt;span style=";font-family:Arial;font-size:100%;"  &gt;A Associação Portuguesa de Historiadores da Arte  (APHA) vai entrar brevemente em processo eleitoral.&lt;/span&gt;&lt;div&gt; &lt;/div&gt; &lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;É o momento de assumirmos uma posição activa e  combativa pela nossa disciplina e área científica e profissional. Por  isso, organizámo-nos em lista candidata aos próximos corpos sociais,  tendo por bandeira o Manifesto que agora apresentamos: &lt;i&gt;Combates pela  História... da Arte&lt;/i&gt;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;Mas porque todos somos poucos para cimentar a  posição da nossa área nos actuais debates que à História da Arte dizem respeito,  é fundamental que contemos com uma base de apoio cada vez maior. O espaço de  intervenção social e científico proporcionado pela APHA está longe de se esgotar  nos seus corpos sociais, e há um conjunto alargado de iniciativas e de  eixos de discussão onde todos os sócios podem e devem intervir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt; &lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;É nesse sentido que apelamos à inscrição como sócio  na APHA (através da ligação &lt;a href="http://www.apha.pt/inscricao.php" target="_blank"&gt;http://www.apha.pt/inscricao.&lt;wbr&gt;php&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;) para que, juntos,  possamos empreender estes &lt;i&gt;&lt;span style=";font-family:Arial;" &gt;Combates pela &lt;/span&gt;&lt;span style=";font-family:Arial;" &gt;História da&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:100%;"  &gt;&lt;i&gt;... Arte&lt;/i&gt;.  Para que os novos sócios possam ter direito de voto, é essencial que se  inscrevam até ao dia 1 de Junho.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Criar ciência. Formar  consciência. Valorizar a profissão de Historiador da Arte.&lt;br /&gt;&lt;br /&gt;A Direcção da  Lista A&lt;br /&gt;&lt;br /&gt;Pedro Flor&lt;br /&gt;Paulo Fernandes&lt;br /&gt;Maria Helena  Barreiros&lt;br /&gt;Rosário Carvalho&lt;br /&gt;Adelaide Duarte&lt;br /&gt;Célia Pereira&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Elementos Lista A*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://teresinhatorga3.no.sapo.pt/elementos_listaA.pdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;*Manifesto Lista A*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;(&lt;a style="color: rgb(51, 51, 255);" href="http://teresinhatorga3.no.sapo.pt/manifesto_listaA.pdf" target="_new"&gt;pdf&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-5156823441042485449?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/5156823441042485449/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=5156823441042485449&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5156823441042485449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/5156823441042485449'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/05/combates-pela-historia-da-arte.html' title='Combates pela História ... da Arte'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-3996145614964035930</id><published>2009-05-13T22:18:00.003+01:00</published><updated>2009-05-14T01:30:57.463+01:00</updated><title type='text'>Vandalismo na Porta Especiosa da Catedral de Santa Maria de Coimbra ( Sé Velha)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 398px; height: 530px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01491.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 434px; height: 325px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01492.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 432px; height: 324px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01493.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01494.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 479px; height: 358px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01495.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 478px; height: 358px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01496.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;img style="width: 484px; height: 363px;" src="http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/DSC01497.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-3996145614964035930?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/3996145614964035930/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=3996145614964035930&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3996145614964035930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/3996145614964035930'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/05/vandalismo-na-porta-especiosa-da.html' title='Vandalismo na Porta Especiosa da Catedral de Santa Maria de Coimbra ( Sé Velha)'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i584.photobucket.com/albums/ss288/Historia_da_Arte_uc/Historia%20da%20Arte/th_DSC01491.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8948456042890614981</id><published>2009-05-06T12:45:00.003+01:00</published><updated>2009-05-06T13:00:47.204+01:00</updated><title type='text'>Exposição Individual de Pintura de Catarina Monteiro – Nihil Obstat</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 425px; height: 150px;" src="http://teresinhatorga4.no.sapo.pt/cm1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify; font-weight: bold;"&gt;A Presidente do Conselho de Administração da Fundação Bissaya Barreto tem a honra de convidar V. Ex.ª a assistir à inauguração da I Exposição Individual de Pintura de Catarina Monteiro – Nihil Obstat – que terá lugar no próximo dia 7 de Maio, pelas 18,30 horas, na Casa Museu Bissaya Barreto.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 74px; height: 123px;" src="http://teresinhatorga4.no.sapo.pt/cm2.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="color: rgb(95, 95, 95);font-family:'Book Antiqua';font-size:10;"  &gt;Sobre a Artista &gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=";font-family:'Book Antiqua';font-size:10;"  &gt;&lt;span style="font-size:100%;"&gt;Catarina Sofia Lima &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:'Book Antiqua';font-size:10;"  &gt;&lt;span style="font-size:100%;"&gt;de Sousa Monteiro é natural de Viseu (1963). &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:'Book Antiqua';font-size:10;"  &gt;&lt;span style="font-size:100%;"&gt;Cresceu em Lisboa no seio de uma família de diversos artistas e foi particularmente influenciada pelo escultor João Afra. Autodidacta, usa uma técnica que desenvolve há 7 anos. Actualmente frequenta a cadeira de Artes Plásticas da EAUC-ARCA, sob orientação do Professor João Dixo. Durante 2008 esteve sob orientação do jovem artista plástico australiano Byron Coathup. Divide-se há mais de 20 anos entre a Noruega, onde viveu, e Portugal onde reside actualmente, em Coimbra. É admiradora do artista norueguês Bjornulf Dyrud. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;   &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(95, 95, 95);font-family:'Book Antiqua';" &gt;Catarina Monteiro é licenciada em Gestão de Empresas (ISCTE, Lisboa), bacharel em Contabilidade, (ISCL, Leiria) e também licenciada em Gestão de Museus, (ESEV, Viseu); Possui Pós-Graduação em Gestão de Recursos Piscatórios (Handelshoyskole, Bergen, Noruega), é Masters of International Business (1º ano), (Handelshoyskole, Bergen, Noruega) e é Mestre em Cultura e Formação Autárquica, (Faculdade de Letras da Universidade de Lisboa). É membro do CICOP Portugal.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 195px; height: 152px;" src="http://teresinhatorga4.no.sapo.pt/cm3.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="color: rgb(95, 95, 95);font-family:'Book Antiqua';" &gt;Sobre a Exposição &gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=";font-family:'Book Antiqua';" &gt; &lt;i&gt;Nihil Obstat&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Book Antiqua';" &gt; é o título escolhido para a primeira exposição de pintura que expressa, para a artista, o sentido de &lt;span style="color: rgb(102, 51, 0);"&gt;“&lt;i&gt;um percurso muito natural. Uma vocação que sempre fez muito sentido e por mais diversos que tenham sido os meus interesses ao longo do meu percurso, eles apontaram sempre nesta direcção, embora possa parecer um jogo controverso&lt;/i&gt;”.&lt;/span&gt; Catarina Monteiro “&lt;i&gt;sente a necessidade imperiosa de pintar quase como um vício ou fado de criadora, maneja as cores a acrílico com pincel, esponja e espátula, acrescentando ocasionalmente a colagem com parcimónia e bom gosto&lt;/i&gt;” [Telo de Morais].&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style=";font-family:'Book Antiqua';" &gt;A exposição, que conta com o apoio da Secção Consular da Embaixada de Portugal na Noruega, estará patente de 7 a 22 de Maio, na Casa Museu Bissaya Barreto, de 3ª a 6ª feira (10h-13h/ 14h-&lt;span&gt;  &lt;/span&gt;18h) e aos fins-de-semana (15h-18h).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8948456042890614981?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8948456042890614981/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8948456042890614981&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8948456042890614981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8948456042890614981'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/05/exposicao-individual-de-pintura-de.html' title='Exposição Individual de Pintura de Catarina Monteiro – Nihil Obstat'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-8674000489194709882</id><published>2009-04-29T22:34:00.001+01:00</published><updated>2009-04-29T22:36:50.272+01:00</updated><title type='text'>Conferência</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 399px; height: 564px;" src="http://www.ihauc.com/images/stories/rui_chafes/raquelweb.gif" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-8674000489194709882?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/8674000489194709882/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=8674000489194709882&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8674000489194709882'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/8674000489194709882'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/conferencia_29.html' title='Conferência'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2821968710632512355</id><published>2009-04-23T23:03:00.003+01:00</published><updated>2009-04-23T23:24:09.727+01:00</updated><title type='text'>Jantar de Curso</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;Retaurante Papas, ás 21:30&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-weight: bold;"&gt;Inscrições na sala de leitura do IHA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 439px; height: 310px;" src="http://teresinhatorga4.no.sapo.pt/queima.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2821968710632512355?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2821968710632512355/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2821968710632512355&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2821968710632512355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2821968710632512355'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/jantar-de-curso.html' title='Jantar de Curso'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-4972528162537886297</id><published>2009-04-22T21:36:00.003+01:00</published><updated>2009-04-22T21:44:51.182+01:00</updated><title type='text'>III Ciclo de Conferências | Patriarcado de Lisboa</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 422px; height: 594px;" src="http://globalsites.org/pipc-centrocultural/attachments/Image/Cartaz%20Mecenas%20e%20Patronos.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:130%;"&gt;Mecenas e Patronos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A Encomenda Artística e a Igreja em Portugal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;III Ciclo de Conferências para o Estudo dos Bens Culturais da Igreja&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;28, 29 e 30 de Maio de 2009&lt;br /&gt;&lt;br /&gt;Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;UCP, Lisboa | Aud. 2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Personalidades marcantes no panorama eclesiástico do seu tempo, apesar de reconhecida a sua acção pastoral, política ou, até mesmo, cultural, pouco destaque tem merecido o desempenho mecenático exercido por muitas dessas figuras da Igreja em Portugal.&lt;br /&gt;&lt;br /&gt;Com um papel fundamental na aquisição de obras de arte, o seu carácter empreendedor revela-se ainda pelo apoio efectivo concedido às artes, não apenas por via do patronato ou da encomenda, mas também pela intervenção activa em todo o processo criativo.&lt;br /&gt;&lt;br /&gt;Conscientes da importância pastoral e política que os meios visuais exercem, assumiram, não raras vezes, como um dos desígnios das suas funções, o melhoramento das respectivas dioceses, ordens religiosas, igrejas ou conventos.&lt;br /&gt;&lt;br /&gt;O acesso a alguns dos principais centros artísticos internacionais, a que posição de alto prestígio de que gozavam não era alheia, convertia-os também em reais agentes de modernidade estética e cultural do seu tempo. Motivados pelas necessidades da liturgia e do cerimonial, foram fundamentais na actualização discursiva de inúmeras realizações, que se perpetuam hoje como testemunhos vivos dos seus patronos.&lt;br /&gt;&lt;br /&gt;Responsáveis por empreendimentos de singular qualidade no panorama artístico nacional, o presente Ciclo de Conferências visa, não apenas oferecer um mais completo e actualizado conhecimento do perfil biográfico de cada uma dessas figuras, mas, sobretudo, promover o debate em torno do papel da Igreja na construção do seu importante legado patrimonial ao longo dos tempos.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Com o Alto Patrocínio de S. Ema.,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;o Senhor Cardeal Patriarca de Lisboa,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;D. José da Cruz Policarpo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;+ Informações e Programa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;br /&gt;CONFERENCISTAS&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;▪ Antónia Fialho Conde&lt;br /&gt;&lt;br /&gt;CIDEHUS - Departamento de História/Universidade de Évora&lt;br /&gt;&lt;br /&gt;▪ António Filipe Pimentel&lt;br /&gt;&lt;br /&gt;Faculdade de Letras/Universidade de Coimbra&lt;br /&gt;&lt;br /&gt;▪ Fr. António-José de Almeida, OP&lt;br /&gt;&lt;br /&gt;Pós-doutoramento na Universidade Marc Bloch de Estrasburgo e Universidade do Porto; Bolseiro FCT&lt;br /&gt;&lt;br /&gt;▪ António José de Oliveira&lt;br /&gt;&lt;br /&gt;Agrupamento de Escolas Arqueólogo Mário Cardoso&lt;br /&gt;&lt;br /&gt;▪ António Pedro Boto de Oliveira&lt;br /&gt;&lt;br /&gt;Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;▪ Arlindo Manuel Caldeira&lt;br /&gt;&lt;br /&gt;CHAM/Universidade Nova de Lisboa&lt;br /&gt;&lt;br /&gt;▪ Carla Alexandra Gonçalves&lt;br /&gt;&lt;br /&gt;Universidade Aberta; CEAUCP/CAM&lt;br /&gt;&lt;br /&gt;▪ Carla Alferes Pinto&lt;br /&gt;&lt;br /&gt;Museu do Oriente&lt;br /&gt;&lt;br /&gt;▪ Cristina Fernandes&lt;br /&gt;&lt;br /&gt;Unidade de Investigação em Música e Musicologia/Universidade de Évora&lt;br /&gt;&lt;br /&gt;▪ Domingas Vasconcelos&lt;br /&gt;&lt;br /&gt;Divisão Municipal de Património Cultural/Câmara Municipal do Porto&lt;br /&gt;&lt;br /&gt;▪ Filipe Folque de Mendóça&lt;br /&gt;&lt;br /&gt;▪ Francisco Lameira&lt;br /&gt;&lt;br /&gt;Faculdade de Ciências Humanas e Sociais/Universidade do Algarve&lt;br /&gt;&lt;br /&gt;▪ Inês Felício&lt;br /&gt;&lt;br /&gt;Rede de Museus e Galerias de Óbidos&lt;br /&gt;&lt;br /&gt;▪ Joana Ramôa&lt;br /&gt;&lt;br /&gt;IHA - Faculdade de Ciências Sociais e Humanas/Universidade Nova de Lisboa&lt;br /&gt;&lt;br /&gt;▪ Joaquim Oliveira Caetano&lt;br /&gt;&lt;br /&gt;Museu de Évora&lt;br /&gt;&lt;br /&gt;▪ José Custódio Vieira da Silva&lt;br /&gt;&lt;br /&gt;IHA - Faculdade de Ciências Sociais e Humanas/Universidade Nova de Lisboa&lt;br /&gt;&lt;br /&gt;▪ José Fernando de Castro Gonçalves&lt;br /&gt;&lt;br /&gt;Departamento de Arquitectura da Faculdade de Ciências e Tecnologia/Universidade de Coimbra&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;▪ Manuel Joaquim Moreira da Rocha&lt;br /&gt;&lt;br /&gt;Faculdade de Letras/Universidade do Porto&lt;br /&gt;&lt;br /&gt;▪ Marco Daniel Duarte&lt;br /&gt;&lt;br /&gt;Departamento de Arte e Património/Museu do Santuário de Fátima&lt;br /&gt;&lt;br /&gt;▪ Maria de Lurdes Craveiro&lt;br /&gt;&lt;br /&gt;Faculdade de Letras/Universidade de Coimbra&lt;br /&gt;&lt;br /&gt;▪ Maria João Pereira Coutinho&lt;br /&gt;&lt;br /&gt;Doutoranda na Faculdade de Letras/Universidade de Lisboa; Bolseira FCT&lt;br /&gt;&lt;br /&gt;▪ Marisa Costa&lt;br /&gt;&lt;br /&gt;Bolseira de investigação do Instituto dos Museus e da Conservação&lt;br /&gt;&lt;br /&gt;▪ Milton Pedro Dias Pacheco&lt;br /&gt;&lt;br /&gt;Departamento dos Bens Culturais/Diocese de Coimbra&lt;br /&gt;&lt;br /&gt;▪ Nelson Correia Borges&lt;br /&gt;&lt;br /&gt;Faculdade de Letras/Universidade de Coimbra&lt;br /&gt;&lt;br /&gt;▪ Nuno Resende&lt;br /&gt;&lt;br /&gt;Bolseiro FCT; CEPESE - Faculdade de Letras/Universidade do Porto&lt;br /&gt;&lt;br /&gt;▪ Nuno Saldanha&lt;br /&gt;&lt;br /&gt;Escola das Artes/Universidade Católica Portuguesa&lt;br /&gt;&lt;br /&gt;▪ Paula Bessa&lt;br /&gt;&lt;br /&gt;Departamento de História/Universidade do Minho&lt;br /&gt;&lt;br /&gt;▪ Pedro Flor&lt;br /&gt;&lt;br /&gt;Universidade Aberta; IHA - Faculdade de Ciências Sociais e Humanas/Universidade Nova de Lisboa&lt;br /&gt;&lt;br /&gt;▪ Regina Anacleto&lt;br /&gt;&lt;br /&gt;Faculdade de Letras/Universidade de Coimbra&lt;br /&gt;&lt;br /&gt;▪ Rosário Gordalina&lt;br /&gt;&lt;br /&gt;Instituto da Habitação e Reabilitação Urbana/Sistema de Inventário para Património Arquitectónico&lt;br /&gt;&lt;br /&gt;▪ Rui Maurício&lt;br /&gt;&lt;br /&gt;Escola Superior Artística do Porto&lt;br /&gt;&lt;br /&gt;▪ Sandra Costa Saldanha&lt;br /&gt;&lt;br /&gt;Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;▪ Sylvie Deswarte-Rosa&lt;br /&gt;&lt;br /&gt;CNRS Lyon&lt;br /&gt;&lt;br /&gt;▪ Teresa Leonor M. Vale&lt;br /&gt;&lt;br /&gt;CEPESE - Faculdade de Letras/Universidade do Porto; Bolseira FCT&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;PREÇOS&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Público em geral&lt;br /&gt;  &lt;br /&gt;60 €&lt;br /&gt; &lt;br /&gt;Patriarcado de Lisboa&lt;br /&gt;  &lt;br /&gt;45 €&lt;br /&gt; &lt;br /&gt;Participantes CCPL&lt;br /&gt;  &lt;br /&gt;45 €&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ORGANIZAÇÃO&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;LOCAL&lt;br /&gt;&lt;br /&gt;Universidade Católica Portuguesa,&lt;br /&gt;&lt;br /&gt;Lisboa, Aud. 2&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;CONTACTOS&lt;br /&gt;&lt;br /&gt;Mosteiro de S. Vicente de Fora&lt;br /&gt;&lt;br /&gt;Campo de Santa Clara&lt;br /&gt;&lt;br /&gt;1100-472 Lisboa&lt;br /&gt;&lt;br /&gt;Tel. 218810500&lt;br /&gt;&lt;br /&gt;Fax: 218810555&lt;br /&gt;&lt;br /&gt;mecenaspatronos@netcabo.pt&lt;br /&gt; &lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;INSCRIÇÕES&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Os interessados deverão enviar, até 25 de Maio de 2009, a ficha de inscrição, devidamente preenchida e acompanhada do respectivo pagamento, para:&lt;br /&gt;&lt;br /&gt;                               III Ciclo de Conferências&lt;br /&gt;&lt;br /&gt;                               Centro Cultural do Patriarcado de Lisboa&lt;br /&gt;&lt;br /&gt;                               Mosteiro de São Vicente de Fora&lt;br /&gt;&lt;br /&gt;                               Campo de Santa Clara, 1100-472 Lisboa&lt;br /&gt;&lt;br /&gt;* Pré-inscrições por email&lt;br /&gt;&lt;br /&gt;PAGAMENTO&lt;br /&gt;&lt;br /&gt;        Numerário&lt;br /&gt;&lt;br /&gt;        Cheque: à ordem de PATRIARCADO DE LISBOA&lt;br /&gt;&lt;br /&gt;        Transferência bancária: NIB – 0046 0012 00600041108 70&lt;br /&gt;&lt;br /&gt;         (mediante envio de uma cópia de comprovativo)&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Todas as informações sobre o encontro podem ser consultadas&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://globalsites.org/pipc-centrocultural/page19.php" target="_blank"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style=";font-family:'Trebuchet MS';color:maroon;"  &gt;AQUI&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style=";font-family:'Trebuchet MS';font-size:9;"  &gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-4972528162537886297?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/4972528162537886297/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=4972528162537886297&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4972528162537886297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/4972528162537886297'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/iii-ciclo-de-conferencias-patriarcado.html' title='III Ciclo de Conferências | Patriarcado de Lisboa'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-1671960129417866073</id><published>2009-04-16T22:57:00.002+01:00</published><updated>2009-04-16T23:10:19.175+01:00</updated><title type='text'>Inauguração CAV (18 de Abril) - Miguel Soares / Rodrigo Oliveira</title><content type='html'>&lt;div style="text-align: justify;"&gt;O Centro de Artes Visuais tem o prazer de convidar para a inauguração das exposições GEOLUX de Miguel Soares e UMA UTOPIA NA CASA DE CADA UM de Rodrigo Oliveira, que terá lugar no dia 18 de Abril, sábado, pelas 22h.&lt;br /&gt;&lt;br /&gt;23h30&lt;br /&gt;Dj Set – Afonso Macedo (put some)&lt;br /&gt;&lt;br /&gt;...................................................................&lt;br /&gt;&lt;br /&gt;18 de Abril a 7 de Junho&lt;br /&gt;April 18th to June 7th&lt;br /&gt;&lt;br /&gt;Terça- Feira a Domingo das 14:00 às 19:00&lt;br /&gt;Tuesday to Sunday 2 pm to 7 pm&lt;br /&gt;&lt;br /&gt;Entrada Gratuita&lt;br /&gt;Free Entrance&lt;br /&gt;&lt;br /&gt;...........................................................................&lt;br /&gt;&lt;br /&gt;centro de artes visuais&lt;br /&gt;Colégio das Artes (Pátio da Inquisição, 10)&lt;br /&gt;Apartado 6026&lt;br /&gt;3000-221 Coimbra&lt;br /&gt;Portugal&lt;br /&gt;T. +351 239 836 930&lt;br /&gt;F. +351 239 820 154&lt;br /&gt;E.&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="color: rgb(51, 51, 255); font-weight: bold;"&gt;catarinaportelinha@cav.net4b.pt&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 402px; height: 369px;" src="http://teresinhatorga4.no.sapo.pt/geolux.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 402px; height: 369px;" src="http://teresinhatorga4.no.sapo.pt/casadecadaum.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-1671960129417866073?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/1671960129417866073/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=1671960129417866073&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1671960129417866073'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/1671960129417866073'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/inauguracao-cav-18-de-abril-miguel.html' title='Inauguração CAV (18 de Abril) - Miguel Soares / Rodrigo Oliveira'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-7894907729959736554</id><published>2009-04-05T00:08:00.004+01:00</published><updated>2009-04-06T00:13:13.153+01:00</updated><title type='text'>Fotos das Jornadas do IHA em Almeida</title><content type='html'>&lt;div style="text-align: justify;"&gt;Caros colegas,&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Venho por este meio informar-vos que já se encontram disponiveis, na barra da direita secção das pelingrafias, as fotografias das Jornadas do Instituto da História da Arte em Almeida dos colegas Zé Marques e Maria João assim como as da Dr. ª Branca Gonçalves.&lt;br /&gt;&lt;br /&gt;Votos de um bom estudo e de uma boa Páscoa&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-7894907729959736554?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/7894907729959736554/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=7894907729959736554&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7894907729959736554'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/7894907729959736554'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/fotos-de-almeida.html' title='Fotos das Jornadas do IHA em Almeida'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-577958780940694675</id><published>2009-04-04T00:39:00.001+01:00</published><updated>2009-04-04T00:41:14.731+01:00</updated><title type='text'>Conferência</title><content type='html'>&lt;div id="recover"&gt;&lt;span id="spellcheckMessage"&gt;&lt;/span&gt;&lt;/div&gt;&lt;textarea style="display: none;" name="postBody" rows="17" cols="47" id="textarea" wrap="soft" tabindex="5" dir="ltr"&gt;&lt;/textarea&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 432px; height: 609px;" src="http://www.ihauc.com/images/stories/rui_chafes/senosweb.gif" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-577958780940694675?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/577958780940694675/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=577958780940694675&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/577958780940694675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/577958780940694675'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/04/conferencia.html' title='Conferência'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-9072118287913570876</id><published>2009-03-18T21:02:00.001Z</published><updated>2009-03-18T21:06:39.061Z</updated><title type='text'>A 'Capela Sistina do Antigo Egipto'</title><content type='html'>in DN online - Quarta, 18 de Março de 2009 &lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;Descoberta raridade: um túmulo totalmente pintado e decorado&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chamam-lhe já a "Capela Sistina do Antigo Egipto". Uma equipa hispano-egípcia, liderada por José Manuel Galán, encontrou em Luxor, na margem do Nilo, uma câmara funerária pintada há 3500 anos, anunciou o Conselho Superior de Investigações Científicas de Espanha.&lt;br /&gt;&lt;br /&gt;O túmulo, que faz parte da necrópole de Dra Abu el-Naga, tem as paredes e o tecto completamente pintados com desenhos e hieróglifos do Livro dos Mortos e seria de Djehuty, que foi um escriba real, supervisor do tesouro e dos trabalhos dos artesãos do rei sob as ordens de Hatshepsut, uma das poucas mulheres que foram faraós, filha de Tutmosis I (18.ª dinastia), cujo reinado durou de 1479 a 1457 antes de Cristo.&lt;br /&gt;&lt;br /&gt;"Este é o sonho de qualquer egiptólogo", disse José Manuel Galán, citado pelo El Mundo. "Para além do indubitável valor estético, é importante porque nesta época não se decoravam as câmara funerárias. Só se conhecem outras quatro câmaras assim", explicou durante a apresentação da descoberta à imprensa. "O facto de Djehuty ter decidido pintar o seu túmulo coloca-o entre as figuras mais importantes e influentes da época", explica Galán, o director da equipa que, desde 2004, está a trabalhar em Luxor (antiga Tebas).&lt;br /&gt;&lt;br /&gt;O túmulo, uma sala quadrada de 3,5 metros de largura e 1,5 metros de altura, terá sido uma dos primeiros a ser completamente decorado com pinturas, dizem os inves-tigadores. A equi- pa encontrou ainda uma entrada para uma outra divisão onde se encontrava um par de brincos de ouro que, provavelmente, pertencia a Djehuty ou a algum dos seus familiares. "Nesta época, os homens importantes da corte adoptaram o costume de se adornar com brincos, moda que pouco depois seria também adoptada pelos próprios faraós", explicou o egiptólogo.&lt;br /&gt;&lt;br /&gt;Galán esclareceu ainda que as duas paredes que restam do túmulo estão cobertas com passagens do Livro dos Mortos, enquanto no tecto está pintada uma imagem da deusa do céu, Nut, que aparece com os braços abertos para abraçar o corpo do defunto, protegendo-o nesta sua nova existência.&lt;br /&gt;&lt;br /&gt;A equipa de arqueólogos vai continuar a trabalhar nesta área e espera fazer mais descobertas valiosas. "Mas de nada serve encontrar vestígios desta importância se depois os abandonamos à sua sorte", disse José Manuel Galán. Por isso, a próxima campanha de escavações desta mesma equipa internacional dedicar-se--á, fundamentalmente, à preservação dos vestígios arqueológicos de Luxor. M. J. C., com agências&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-9072118287913570876?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/9072118287913570876/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=9072118287913570876&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9072118287913570876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/9072118287913570876'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/03/capela-sistina-do-antigo-egipto_18.html' title='A &apos;Capela Sistina do Antigo Egipto&apos;'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4412302037481707224.post-2674449985869990783</id><published>2009-03-13T19:15:00.002Z</published><updated>2009-03-13T19:21:38.194Z</updated><title type='text'>Jornadas do Instituto de História da Arte da Faculdade de Letras de Coimbra No Centro de Estudos de Arquitectura Militar de Almeida - 27 e 28 de Março</title><content type='html'>&lt;span style="color: rgb(204, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Apenas 28 Vagas...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;img style="width: 472px; height: 665px;" src="http://ihauc.com/images/stories/ficha-de-inscrioweb.gif" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4412302037481707224-2674449985869990783?l=afamiliadahistoriadaarte.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://afamiliadahistoriadaarte.blogspot.com/feeds/2674449985869990783/comments/default' title='Enviar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4412302037481707224&amp;postID=2674449985869990783&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2674449985869990783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4412302037481707224/posts/default/2674449985869990783'/><link rel='alternate' type='text/html' href='http://afamiliadahistoriadaarte.blogspot.com/2009/03/apenas-28-vagas.html' title='Jornadas do Instituto de História da Arte da Faculdade de Letras de Coimbra No Centro de Estudos de Arquitectura Militar de Almeida - 27 e 28 de Março'/><author><name>Pandora Nihil</name><uri>http://www.blogger.com/profile/15705098308992138334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
